Felice Beato

Mutineers Hanged   1858

Roger Fenton

Pasha and Bayadere   1858

Albumen print

National Media Museum   LL/41815

There are two known versions of this work. An uncropped version at the J. Paul Getty Museum in Los Angeles and this one. The Pasha is played by Roger Fenton and the musician is the English landscape painter Frank Dillon.

Acquired by the National Media Museum with the assistance of The Art Fund (November 2010).

Roger Fenton

Cheddar Cliffs   1858

Albumen print   8.25 in x 6.5 ins

Archive Farms   LL/44803

Print by Francis Frith.

Roger Fenton

Egyptian Dancing Girl    1858

Albumen silver print   20.8 x 16.5 cm (8 3/16 x 6 1/2 in)

J. Paul Getty Museum

Object number: 85.XP.355.25   LL/50540

Roger Fenton

Egyptian water carrier   1858

Albumen silver print   25.7 x 20 cm

J. Paul Getty Museum

The Getty Research Institute, Los Angeles. ID no.: 2008r3/546_1fent    LL/50541

Roger Fenton

Lichfield Cathedral from the North-west   1858

Albumen print, from collodion negative   13 7/8 × 16 15/16 in (35.2 × 43 cm)

National Gallery of Art   LL/54888

Henry Peach Robinson

Fading Away   1858

Albumen silver print   9 5/8 x 15 1/2 ins

George Eastman House   LL/33148

Henry Peach Robinson

Little Red Riding Hood Arrives at the Door of Her Grandmother's House   1858

Albumen print   9 3/16 x 7 3/8 ins (23.3 x 18.7 cm)

Saint Louis Art Museum

Courtesy of Saint Louis Art Museum, Martin Schweig Memorial Fund for Photography, Accession Number: 263:1979   LL/37259

Henry Peach Robinson's print is the second in an extremely rare series of four pictures illustrating this famous children's tale. The photograph displays a technical virtuosity unrivaled in the 1850s. Working at a time when photographic chemistry required long exposures, Robinson nevertheless managed to give the girl a spontaneous, candid facial expression that looks natural in spite of the photograph's early date. One of the most influential photographers of the nineteenth century, Robinson argued for a photographic art based on conscious composition; that is, one in which the photographer carefully planned and arranged the subject, often with the aid of preliminary sketches, before making a picture.

Henry Peach Robinson

She Runs Home and Tells Her Mother All about It   1858

Albumen print from wet collodion negative    29.90 x 19.50 cm (11 3/4 x 7 5/8 ins) (image)

Cleveland Museum of Art

John L. Severance Fund, Accession No.: 1988.215   LL/40853

Henry Peach Robinson

Her Mother having only one day made some cakes, said to Little Red Riding Hood, "I hear your poor old Grandma has been ailing; so, prithee, go and see if she be any better, and take her these cakes and a pot of butter.''    [Little Red Riding Hood, No.1]    1858

Albumen print

National Media Museum

The Royal Photographic Society, Ref Number: 2003-5001/2/22382    LL/41756

Henry Peach Robinson

Little Red Riding Hood then went and drew back the curtain, when she was much surprised to see how oddly her Grandmother looked in her nightclothes!   [Little Red Riding Hood, No.3]   1858

Albumen print

National Media Museum

The Royal Photographic Society, Ref Number: 2003-5001/2/22384   LL/41758

Albumen print

This work is out of copyright   LL/36238

This photograph has been published with numerous titles including:

Mutineers Hanged  /  The Hanging of Two Rebels

The caption used by Getty Images (Editorial image #: 2672706) is:

After their capture of Delhi the Indian mutineers lost the city to British forces who extracted swift reprisals by hanging the leaders. Two of them are hanging from a gallows.

Felice Beato

Interior of the Secundra Bagh after the Slaughter of 2,000 Rebels by the 93rd Highlanders and 4th Punjab Regiment. First Attack of Sir Colin Campbell in November 1857, Lucknow.   1858

Albumen print   24.9 x 28.7 cm (sheet)

Wellcome Images, Wellcome Library

Wellcome Library, London   LL/36795

Title is taken from the copy at Brown University, Special Collections, Anne S. K. Brown Military Collection.

Felice Beato

Sikh and British Officers of Hodson's Horse   1858

Albumen print

National Army Museum

Negative No. 1198, Accession No. NAM. 1956-08-6-20    LL/41339

Felice Beato

The Munchee Bau or old Citadel of Lucknow    1858

Albumen print

National Army Museum

Negative No. 25198, Accession No. NAM. 1965-11-113-2    LL/41340

Felice Beato

Ruins of Lucknow Residency, Indian Mutiny   1858

Albumen print   24 x 29.4 cm

Ken & Jenny Jacobson   LL/43179

Felice Beato

Alumbagh, near Lucknow   1858

Albumen print   24 x 29 cm (image) 38 x 41 cm (mount)

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Local Number: A1999.29   LL/46139

Felice Beato

Chutter Manzil Palace, with the King's Boat in the Shape of a Fish - First Attack of Sir Colin Campbell, November 1857, Lucknow   1858

Albumen silver print   24.2 x 30.1 cm (9 1/2 x 11 7/8 in)

J. Paul Getty Museum

Object number: 2007.26.208.14, Partial gift from the Wilson Centre for Photography   LL/50519

Francis Frith

The Rameseum Of El-Kurneh, Thebes, Second View.    1858

Albumen print   370 x 480 mm (14.5 x 19 in)

Bernard J. Shapero Rare Books

Courtesy of Bernard J Shapero Rare Books    LL/30092

Francis Frith

The Mosque Of The Emeer Akhoor, Cairo.   1858

Albumen print    487 x 385 mm (19 x 15 in)

Bernard J. Shapero Rare Books

Courtesy of Bernard J Shapero Rare Books    LL/30093

Franz Hanfstaengl

Franz Liszt (1811-1886)   1858

Albumen print

Private collection - Steffen Wolff    LL/44362

Gustave de Beaucorps

Toledo, the Puerta del Sol    1858

Toledo Olvidado   LL/36072

Gustave Le Gray

Seascape: Flotte Francaise a Cherbourg   1858

Albumen print, from wet collodion negative   12 1/2 x 15 7/8

Charles Isaacs Photographs, Inc   LL/4173

Henry Darley Crozier

Captain Shaw RE   1858

Private collection of Henri van der Tol   LL/47683

Henry Darley Crozier

Staff Assistant Surgeon Langston   1858

Private collection of Henri van der Tol   LL/47684

Hermann Krone

Self-portrait by Hermann Krone (1827-1916)    1858

Photographic print

Creative Commons – Wikipedia

http://images.zeno.org/Fotografien/I/big/PHO02756.jpg (Zenodot Verlagsgesellschaft mbH)   LL/47566

Humphrey Lloyd Hime

Members of the Assiniboine and Saskatchewan Exploring Expedition, Encampment on the Red River   [Assiniboine and Saskatchewan Exploring Expedition]   1858

Print, type uncertain

Library and Archives Canada    Ref. No: e000009486   LL/38938

Humphrey Lloyd Hime

Letitia, a Cree Halfbreed [original title]   [Assiniboine and Saskatchewan Exploring Expedition]   1858

Print, type uncertain

Library and Archives Canada   Ref. No: C-001732   LL/38939

Humphrey Lloyd Hime

Mr. McDermot's store, near Fort Garry    [Assiniboine and Saskatchewan Exploring Expedition]   1858

Print, type uncertain

Library and Archives Canada    Ref. No: C-020245    LL/38940

John Wheeley Gough Gutch

Woodspring Priory, near Weston-super-Mare    1858

Salt print, from calotype negative

Private Collection of Robert G. Hill, Toronto, Ont.    Acc. No. 1171   LL/53431

John Murray

The Kutub Minar, Delhi   1858

Albumen print   35 x 43 cm (13.5 x 17 ins)

Bernard J. Shapero Rare Books    Stock Number: 59625    LL/45958

John Murray

The Well and Monument, Slaughter House, Cawnpore    1858

Albumen print

British Library    Shelfmark: Photo 52/(36), Item number: 5236   LL/49471

Julian Vannerson

Shining Metal   1858

Salted paper print   22.2 x 16.5 cm (8 3/4 x 6 1/2 in)

American Art Museum, Smithsonian Institution

Smithsonian American Art Museum, museum purchase from the Charles Isaacs Collection made possible in part by the Luisita L. and Franz H. Denghausen Endowment    LL/7647

Lewis Carroll

Twiss in "The Country Fair"    1858

Albumen print from a glass negative   17 x 13.5 cm

Musée d'Orsay

photo musée d'Orsay / RMN, PHO 1985 344    LL/37344

épreuve sur papier albuminé a partir d'un négatif verre.

Linnaeus Tripe

Madura, Trimul Naik's Choultry [India]   [Photographs of Madura, Part II series, 1858]   1858

Albumen print, from a waxed paper negative   9 9/16 x 12 3/8 in

Peabody Essex Museum

Accession Number: PH99.2, Museum purchase, 2001   LL/39768

Linnaeus Tripe

Pillars in the Recessed Portico in the Roya Gopuram with the Base of One of the Four Sculptured Monoliths, Madura   [Photographic Views in Madura, Part I]   1858

Salted paper print, from paper negative   35.8 x 30.2 cm (14 1/8 x 11 7/8 ins) (image) 45.3 x 57.5 cm (17 13/16 x 22 5/8 ins) (mount)

Metropolitan Museum of Art

Gilman Collection, Purchase, Cynthia Hazen Polsky Gift, 2005, Accession Number: 2005.100.381.1.9    LL/40445

Linnaeus Tripe

Arcade in Quadrangle   [Photographic Views in Madura, part IV, plate III]   1858

Salted paper print or diluted albumen print from calotype negative   31.7 x 29.6 cm

Art Institute of Chicago

Restricted gift of Edward Byron Smith, 1982.139    LL/45862

Linneas__Tripe

Tanjore   1858

Albumen print   27.5 x 36 cm (image) 44.5 x 57 cm (mount)

Sotheby's – Paris

Photographies, 11 November 2011, Lot 19   LL/44400

Tirage albuminé d'aprÞs un négatif papier ciré. Contrecollé sur carton original. En bas sur le carton, avec le tampon a sec 'L T Photographer to Government'. Avec une petite étiquette en papier portant le numéro imprimé '2' en haut a droite. Sous passe-partout.

Luigi Pesce

Tehran   1858

Salted paper print, from paper negative

Metropolitan Museum of Art

Gift of Kay Gregory, 1967, Accession Number: 67.606.5   LL/49830

Luigi Pesce

Veduta generale di Persepolis presa dalla Montagna   1858

Salted paper print, from paper negative

Metropolitan Museum of Art

Gift of Kay Gregory, 1967, Accession Number: 67.606.22   LL/49832

Luigi Pesce

Yran, Piazza a Isphaan   1858

Salted paper print, from paper negative

Metropolitan Museum of Art

Gift of Kay Gregory, 1967, Accession Number: 67.606.14   LL/49833

Luigi Pesce

Ruine sulla prima terrazza, Persepolis   1858

Salted paper print, from paper negative

Metropolitan Museum of Art

Gift of Kay Gregory, 1967, Accession Number: 67.606.16    LL/49834

Luigi Pesce

Tombe de Ciro a Morgab   1858

Salted paper print, from paper negative

Metropolitan Museum of Art

Gift of Kay Gregory, 1967, Accession Number: 67.606.18   LL/49835

Luigi Pesce

Bassirilieve a Maksci Reste   1858

Salted paper print, from paper negative

Metropolitan Museum of Art

Gift of Kay Gregory, 1967, Accession Number: 67.606.15    LL/49839

Nadar

Portrait of a Bearded Man.   1858

Salt print, wet collodion negative   8 5/8 x 6 11/16

Charles Isaacs Photographs, Inc   LL/4187

Nadar

Aerial view of Paris    1858

United States Geological Service    LL/48296

Further details on this image are requested.

Napoleon Aubanel

Plaza Matriz de Montevideo (Uruguay)   1858

Daguerreotype, stereo

Cuarterolo Collection / Colección M & M Cuarterolo

Courtesy of the Cuarterolo family   LL/11543

Pierre Joseph Rossier

Group portrait of French Sailors at Canton   1858

Stereograph

Creative Commons – Wikipedia

Source: Old Japan Picture Library   LL/47407

Robert Macpherson

Rome, Column of Foca and the Temple of Vespasian (no. 62)   1858

Albumen print   37.2 x 27.6 cm

Private collection of Marco C. Antonetto   LL/27522

Blind stamp.

The Column of Phocas is in the main square of the Roman Forum and was erected as a honarary column to the Byzantine Emperor Phocas in 608 and was the last monument to be added.

Robert Macpherson

Arch of Pantani and columns of the Forum of Nerva   1858

Albumen print from a wet collodion glass-plate negative   40 x 28.5 cm (image) 63 x 49 cm (mount)

Private Collection of Robert G. Hill, Toronto, Ont.   www.hillcollection.com - Acc: 735    LL/30624

Photographer's oval blind-stamp on the mount "R. Macpherson /Rome" and numbered in pencil "7"

Literature: reproduced in P. Becchetti & Pietrangeli, Robert Macpherson: An English Photographer in Rome, 1988, plate illus. p. 101

Roger Fenton

Lincoln Cathedral, part of the West Front   1858

Albumen print   44 x 36.5 cm

Dominic Winter Book Auctions

Printed Books,& Maps, Vintage Photography (17 June 2009, Lot: 70)   LL/32389

Arch top albumen print mounted on card, with Architectural Photographic Association embossed label to lower mount and exhibit number 134 inserted in manuscript.

Roger Fenton

Pasha and Bedouin   [Oriental]   1858

Albumen print, mounted on off-white card   26.5 x 25 cm (image) 32.5 x 41.8 cm (mount)

Dominic Winter Book Auctions

Auction Sale: June 17, 2010 - Lot: 685C, revised catalog entry    LL/38067

Neat italic pencil caption beneath.

Part of Roger Fenton's Oriental suite of studies made in his London studio in the summer of 1858. Of the fifty-one negatives in the series of which there are extant prints only a small number were exhibited by Fenton in Edinburgh, London and Paris. All the photographs are rare and many of the surviving prints have come from the albums thought to have been Fenton's own, known as the 'grey paper' albums (sold by Christie's between 1978 and 1982). For more information see Gordon Baldwin, Roger Fenton: Pasha and Bayadere, (Getty Museum, 1996).

Roger Fenton

Turkish musicians and dancing girl   [Oriental]   1858

Albumen print, mounted on off-white card    29.4 x 24.5 cm (image) 451.2 x 32.9 cm (mount)

Dominic Winter Book Auctions

Auction Sale: June 17, 2010 - Lot: 685B, revised catalog entry    LL/38068

Neat italic pencil caption and 'No. 16' below image.

Part of Roger Fenton's Oriental suite of studies made in his London studio in the summer of 1858. Of the fifty-one negatives in the series of which there are extant prints only a small number were exhibited by Fenton in Edinburgh, London and Paris. All the photographs are rare and many of the surviving prints have come from the albums thought to have been Fenton's own, known as the 'grey paper' albums (sold by Christie's between 1978 and 1982). For more information see Gordon Baldwin, Roger Fenton: Pasha and Bayadere, (Getty Museum, 1996).

http://www.luminous-lint.com/app/tags/6/1858

Roger Fenton

Nubian water carrier with urn supported on her head    [Oriental]    1858

Albumen print, mounted on off-white card

36.4 x 26.8 cm (image) 41.1 x 32.5 cm (mount)

Dominic Winter Book Auctions

Auction Sale: June 17, 2010 - Lot: 685E, revised catalog entry   LL/38069

Neat italic pencil number beneath 'O[riental?] No 21'.

Part of Roger Fenton's Oriental suite of studies made in his London studio in the summer of 1858. Of the fifty-one negatives in the series of which there are extant prints only a small number were exhibited by Fenton in Edinburgh, London and Paris. All the photographs are rare and many of the surviving prints have come from the albums thought to have been Fenton's own, known as the 'grey paper' albums (sold by Christie's between 1978 and 1982). For more information see Gordon Baldwin, Roger Fenton: Pasha and Bayadere, (Getty Museum, 1996).

Roger Fenton

Slave with fly-flapper    [Oriental]    1858

Albumen print, mounted on off-white card   22.8 x 24.6 cm (image) 32.6 x 41.8 cm (mount)

Dominic Winter Book Auctions

Auction Sale: June 17, 2010 - Lot: 685D, revised catalog entry    LL/38070

Neat italic pencil caption beneath.

Part of Roger Fenton's Oriental suite of studies made in his London studio in the summer of 1858. Of the fifty-one negatives in the series of which there are extant prints only a small number were exhibited by Fenton in Edinburgh, London and Paris. All the photographs are rare and many of the surviving prints have come from the albums thought to have been Fenton's own, known as the 'grey paper' albums (sold by Christie's between 1978 and 1982). For more information see Gordon Baldwin, Roger Fenton: Pasha and Bayadere, (Getty Museum, 1996).

Roger Fenton

Effendi & Musician    [Oriental]   1858

Albumen print, mounted on off-white card    25.6 x 24.7 cm (image) 41.6 x 33 cm (mount)

Dominic Winter Book Auctions

Auction Sale: June 17, 2010 - Lot: 685A, revised catalog entry   LL/38071

Neat italic pencil caption and 'O[riental?] No 13' below image with photographer's printed credit beneath.

Part of Roger Fenton's Oriental suite of studies made in his London studio in the summer of 1858. Of the fifty-one negatives in the series of which there are extant prints only a small number were exhibited by Fenton in Edinburgh, London and Paris. All the photographs are rare and many of the surviving prints have come from the albums thought to have been Fenton's own, known as the 'grey paper' albums (sold by Christie's between 1978 and 1982). For more information see Gordon Baldwin, Roger Fenton: Pasha and Bayadere, (Getty Museum, 1996).

Roger Fenton

Salisbury Cathedral - The Nave, from the South Transept   1858

Albumen silver print, from glass negative    30.2 x 31.1 cm (11 7/8 x 12 1/4 ins )

Metropolitan Museum of Art

Gilman Collection, Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel, 2005, Accession Number: 2005.100.9    LL/40572

Roger Fenton

Saltash Bridge Under Construction {Cornwall]   1858

Albumen print

National Media Museum

The Royal Photographic Society, Ref number: 2003-5001/2/20102   LL/41691

Roger Fenton

Reclining Odalisque   [Oriental]   1858

Salted paper print from glass negative   28.5 x 39 cm (11 1/4 x 15 3/8 in)

Metropolitan Museum of Art

Copyright  2000-2005 The Metropolitan Museum of Art. - The Rubel Collection, Purchase, Lila Acheson Wallace, Anonymous, Joyce and Robert Menschel, Jennifer and Joseph Duke, and Ann Tenenbaum and Thomas H. Lee Gifts, 1997 (1997.382.34)    LL/6321

Thomas Coffin Doane [Attributed to]   Molson family brewery after the fire of 1858   1858

Daguerreotype, 1/2 plate

Library and Archives Canada

Molson Archives, Library and Archives Canada / C-089689   LL/34313

Published in "Sometimes A Great Nation: A Photo Album of Canada 1850-1925", by Edward Cavell, 1984. Plate 21

Tommaso Cuccioni

Foro Traiano. Rome   1858

Albumen print   22.2 x 32.2 cm

Private collection of Marco C. Antonetto   LL/26899

Tommaso Cuccioni

St. Peter‘s Square, Rome   1858

Albumen print   22.8 x 31.9 cm

Private collection of Marco C. Antonetto   LL/26900

William Donaldson Clark

Princes Street, the Scott Monument and the Royal Institution   1858

Albumen print   21.60 x 27.50 cm

National Galleries of Scotland

Courtesy of the National Galleries of Scotland, Gift of Mrs. Riddell in memory of Peter Fletcher Riddell 1985 (PGP R 124)    LL/7686