Unidentified photographer/creator

#81 Glass, by Messrs, Naylor & Co.  [The International Exhibition of 1862]  1862

Stereocard, detail

Jefferson Stereoptics

Courtesy of John Saddy (Auction, Oct 15, 2008 # 8-03, Lot 36)   LL/31416

Barnard & Gibson

Fortifications at Manassas   [Gardner's Photographic Sketch Book of the War. Incidents of the War, pl. 11]   1862

Albumen print   7 x 9 in

Lee Gallery

Courtesy of Lee Gallery (Z1352)   LL/14041

"Negative by Barnard & Gibson. March, 1862. Entered according to Act of Congress in the year 1865, by A. Gardner, in the Clerk's Office of the District Court of the District of Columbia. Incidents of the War. Fortifications at Manassas. Published by Philp & Solomons, Washington. Positive by A. Gardner, 511 7th St., Washington" printed in margin recto,

Duchenne & Adrien Tournachon

From "Mecanisme de la Physionomie Humaine ou Analyse Electro-Physiologique de L'Expression des Passions" (Paris: Chez ve Jules Renouard, Libraire, 1862)   [Mecanisme de la Physionomie Humaine ou Analyse Electro-Physiologique de L'Expression des Passions]   1862

Swann Galleries - New York

Courtesy of Swann Galleries (Auction, May 22, 2007, #2115, Lot 59)   LL/19221

Southwell Brothers

Jimmy Rogers as Miss Eily O'Connor in a burlesque of Dion Boucicault's "the Colleen Bawn"  1862

Carte de visite

Paul Frecker  LL/34093

With 20 photographic plates, comprising 9 composite montages (each with 16 images) and 11 medium-format studies of women patients from the "Figures esthétiques." Albumen prints, the composites are 5 1/4x4 1/4 inches (13.3x 10.8 cm.) and the studies are 4 1/2x3 1/2 inches (11.4x8.8 cm.), each with a letterpress title, credit, and plate number on mount recto. Tall 4to, original 1/2 calf. Parr/Badger I 50. first edition. Paris: Chez ve Jules Renouard, Libraire, 1862

A work of utmost rarity, this copy with 20 photographic plates.

The great nineteenth-century French neurologist Duchenne de Boulogne combined his intimate knowledge of facial anatomy with his skill in photography and expertise in using electricity to stimulate individual facial muscles, producing a fascinating interpretation of the ways in which the human face portrays emotions. According to R. Andrew Cuthbertson, who edited the reprint of this 19th-century masterwork, " [Duchenne's] fascinating photographs and insightful commentary provided generations of researchers with information about the perception and communication of human facial affect. Scientists from Darwin to Ekman all acknowledge their debt to Duchenne. This important photographically illustrated book, with its truly remarkable images, continues to have currency today."

Duchenne's principal photographic subject, "The Old Man," was afflicted with almost total facial anaesthesia. This circumstance made him an ideal subject for Duchenne's investigations, because the stimulating electrodes he used were certainly somewhat uncomfortable, if not actually painful to those who could feel them.

The collation of this volume is the same as the one in the BibliothÞque Charcot, Paris. (See Duchenne de Boulogne 1806-1875, p. 255). Not in Norman, not in the Parcival Bailey Collection; Waller no. 2606 (copy with only 10 plates). Not in Osler nor in Cushing. Tauregg p. 200. Copies of the first edition were typically issued with different numbers of photographs.

The book was published in fascicules containing the introduction first, followed by the scientific section; an aesthetic section was published some months later. This sequential publication had the advantage that criticisms made by reviewers of, for example, the scientific section, were answered by Duchenne in the subsequent Aesthetic section. Together, the three fascicules constituted the "text." They were either purchased already bound together or bought loose and bound in the purchaser's preferred style. This volume features the preface, an "avvertisement" for the aesthetic section, followed by Series One and Two of the Aesthetic Section.

Mathew Brady's Studio

Brady Gallery photographic team for the Civil War, Berlin, Maryland   1862

Albumen print

Private collection of Larry WestCourtesy of Larry J. West,  West Companies, Inc., 2005. [From the book: Tokens of Affection and Regard]   LL/8597

From left to right:

Silas Holmes

Stephen (a cook)

E.T. Whitney

Hodges

Jim (teamster)

Mathew Brady

David B. Woodbury

One of the rare photographs that shows the people who actually took the photography for Brady.

Adolphe Terris

Rue des Icardins [Marseille, France]   [Rénovation de la Vieille Ville de Marseille]   1862

Albumen print   19,5 x 25 cm (image) 29 x 39 cm (mount)

Vintage-Photos  LL/56183

Adolphe Terris   [Marseille, France]   [Rénovation de la Vieille Ville de Marseille]   1862

Albumen print

Leclere, Maison de Ventes

12/10/13, Lot: 33   LL/56188

Rénovation de la Vieille Ville de Marseille, ouverture de la Rue Impériale, 1862. Album photographique des Anciennes Rues démolies pour l'ouverture de la Rue Impériale,

Adolphe Terris   [Marseille, France]   [Rénovation de la Vieille Ville de Marseille]   1862

Albumen print

Leclere, Maison de Ventes

12/10/13, Lot: 33   LL/56189

Rénovation de la Vieille Ville de Marseille, ouverture de la Rue Impériale, 1862. Album photographique des Anciennes Rues démolies pour l'ouverture de la Rue Impériale,

Adolphe Terris   [Marseille, France]   [Rénovation de la Vieille Ville de Marseille]   1862

Albumen print

Leclere, Maison de Ventes

12/10/13, Lot: 33   LL/56190

Rénovation de la Vieille Ville de Marseille, ouverture de la Rue Impériale, 1862. Album photographique des Anciennes Rues démolies pour l'ouverture de la Rue Impériale,

Adolphe Terris   [Marseille, France]   [Rénovation de la Vieille Ville de Marseille]   1862

Albumen print

Leclere, Maison de Ventes  

12/10/13, Lot: 33   LL/56191

Rénovation de la Vieille Ville de Marseille, ouverture de la Rue Impériale, 1862. Album photographique des Anciennes Rues démolies pour l'ouverture de la Rue Impériale,

Adolphe Terris   [Marseille, France]   [Rénovation de la Vieille Ville de Marseille]   1862

Albumen print

Leclere, Maison de Ventes

12/10/13, Lot: 33   LL/56192

Adolphe Terris  [Marseille, France]   [Rénovation de la Vieille Ville de Marseille]   1862

Albumen print

Leclere, Maison de Ventes

12/10/13, Lot: 33   LL/56193

Adolphe Terris   [Marseille, France]   [Rénovation de la Vieille Ville de Marseille]   1862

Albumen print

Leclere, Maison de Ventes

12/10/13, Lot: 33   LL/56194

Adolphe Terris   [Marseille, France]   [Rénovation de la Vieille Ville de Marseille]  1862

Albumen print

Leclere, Maison de Ventes

12/10/13, Lot: 33   LL/56195

Adolphe Terris   [Marseille, France]   [Rénovation de la Vieille Ville de Marseille]   1862

Albumen print

Leclere, Maison de Ventes

12/10/13, Lot: 33   LL/56196

Adolphe Terris   [Marseille, France]   [Rénovation de la Vieille Ville de Marseille]   1862

Albumen print

Leclere, Maison de Ventes

12/10/13, Lot: 33   LL/56197

Adolphe Terris   [Marseille, France]   [Rénovation de la Vieille Ville de Marseille]   1862

Albumen print

Leclere, Maison de Ventes  

12/10/13, Lot: 33   LL/56198

Adolphe Terris   [Marseille, France]   [Rénovation de la Vieille Ville de Marseille]   1862

Albumen print

Leclere, Maison de Ventes

12/10/13, Lot: 33    LL/56199

Adolphe Terris  [Marseille, France]   [Rénovation de la Vieille Ville de Marseille]   1862

Albumen print

Leclere, Maison de Ventes

12/10/13, Lot: 33   LL/56200

Adolphe Terris   [Marseille, France]   [Rénovation de la Vieille Ville de Marseille]   1862

Albumen print

Leclere, Maison de Ventes

12/10/13, Lot: 33   LL/56201

Adolphe Terris   [Marseille, France]   [Rénovation de la Vieille Ville de Marseille]   1862

Albumen print

Leclere, Maison de Ventes

12/10/13, Lot: 33   LL/56202

Adolphe Terris   [Marseille, France]   [Rénovation de la Vieille Ville de Marseille]   1862

Albumen print

Leclere, Maison de Ventes

12/10/13, Lot: 33   LL/56203

Adolphe Terris   [Marseille, France]   [Rénovation de la Vieille Ville de Marseille]   1862

Albumen print

Leclere, Maison de Ventes

12/10/13, Lot: 33   LL/56204

Adolphe Terris    [Marseille, France]    [Rénovation de la Vieille Ville de Marseille]   1862

Albumen print

Leclere, Maison de Ventes

12/10/13, Lot: 33   LL/56205

Adolphe Terris   [Marseille, France]   [Rénovation de la Vieille Ville de Marseille]   1862

Albumen print

Leclere, Maison de Ventes

12/10/13, Lot: 33   LL/56206

Adolphe Terris   [Marseille, France]   [Rénovation de la Vieille Ville de Marseille]   1862

Albumen print

Leclere, Maison de Ventes

12/10/13, Lot: 33   LL/56207

Adolphe Terris   [Marseille, France]   [Rénovation de la Vieille Ville de Marseille]   1862

Albumen print

Leclere, Maison de Ventes

12/10/13, Lot: 33   LL/56208

Adolphe Terris    [Marseille, France]   [Rénovation de la Vieille Ville de Marseille]   1862

Albumen print

Leclere, Maison de Ventes

12/10/13, Lot: 33   LL/56209

Adolphe Terris   [Marseille, France]   [Rénovation de la Vieille Ville de Marseille]   1862

Albumen print

Leclere, Maison de Ventes

12/10/13, Lot: 33   LL/56210

Adrian J. Ebell [Attributed to]

People escaping from the Indian massacre of 1862 in Minnesota, at dinner on a prairie   1862

Stereocard, right half

Creative Commons – Wikipedia

Library of Congress, Digital ID: cph 3a13425 http://hdl.loc.gov/loc.pnp/cph.3a13425   LL/55814

Alexander Gardner

Antietam Bridge, MD   [Gardner's Photographic Sketch Book of the War. Incidents of the War, pl. 19]   1862

Albumen print   7 x 9 in

Lee Gallery

Courtesy of Lee Gallery (Z1355)   LL/14024

Alexander Gardner

Burnside Bridge, Across Antietam Creek, Maryland   [Gardner's Photographic Sketch Book of the War. Incidents of the War, pl. 20]   1862

Albumen print   17.8 x 22.9 cm (7 x 9 in)

American Art Museum, Smithsonian Institution

Smithsonian American Art Museum, museum purchase from the Charles Isaacs Collection made possible in part by the Luisita L. and Franz H. Denghausen Endowment   LL/7565

Alfred Saint-Ange Briquet

Alexis Godillot. Campement, équipement, coiffure, chaussure, ambulances. Types de l'Armée française. [Page de titre]   1862

Tirage sur papier albuminé d'après négatif sur verre au collodion,   23.5 x 17.5 cm

Bibliothèque Nationale de France, Département des Estampes et de la Photographie
Estampes et Photographie. Eo 121 folio tome 3. Ancienne collection Georges Sirot    LL/7042

Alfred Saint-Ange Briquet

Alexis Godillot. Campement, équipement, coiffure, chaussure, ambulances. Types de l'Armée française - Equipement pour la cavalerie    1862

Tirage sur papier albuminé d'après négatif sur verre au collodion,   24 x 18 cm

Bibliothèque Nationale de France, Département des Estampes et de la Photographie

Estampes et Photographie. Eo 121 folio tome 3. Ancienne collection Georges Sirot   LL/7043

Alfred Saint-Ange Briquet

Alexis Godillot. Campement, équipement, coiffure, chaussure, ambulances. Types de l'Armée française - Ustensiles pour les hôpitaux   1862

Tirage sur papier albuminé d'après négatif sur verre au collodion,   23.5 x 17.5 cm

Bibliothèque Nationale de France, Département des Estampes et de la Photographie

Estampes et Photographie. Eo 121 folio tome 3. Ancienne collection Georges Sirot   LL/7044

André Adolphe-Eugène Disdéri

Princess Pauline de Metternich   1862

Carte de visite

Paul Frecker    LL/13414

Princess Pauline Metternich was the life and soul of high society during the Second Empire. A close personal friend of the Empress Eugénie, she was a constant attendant at all the balls at the Tuileries and a regular houseguest at CompiÞgne. Her memoires, published in two volumes, offer a fascinating behind-the-scenes glimpse of life at court. Possessed of exquisite taste, although unfortunately not the most beautiful of women, she was known as 'the best dressed monkey in Paris', a soubriquet she coined herself.

André Adolphe-Eugène Disdéri

Prince Richard Metternich and Princess Pauline Metternich   1862

Carte de visite

Paul Frecker   LL/13415

This portrait shows Princess Pauline with her husband, Prince Richard Metternich, the Austrian ambassador to the court of Napoléon III. The carte-de-visite was copied by Degas for his portrait of the Princess (cropped at the waist, and with her husband omitted altogether) which now hangs in the National Gallery, London, one of the earliest known examples of an artist basing a painting entirely on a photograph.

Carl Curman

Carl Curman and consul Johan Gabriel Mollén (1790-1863). "Young doctor and old consul". Photo taken with self-timer.   1862

Carte de visite

Swedish National Heritage Board    LL/35770

Charles Fuchs

View of the Petri Church, Hamburg   1862

Albumen print   26 x 20.5 cm

Bassenge Photography Auctions

Courtesy of Bassenge, Berlin (Photography, Dec 2, 2009, Sale: 94, Lot: 4038)   LL/33490

Mounted to board (slightly soiled), photographer's name printed in lower right corner on the mount; annotated in ink and 2 collection stamps on the verso.

Charles Fuchs was a lithographer and is well known for his early calotypes of Hamburg.

Lit.: Fritz Lachmund. Alt-Hamburg durch die Camera. Hamburg 1971.

Eugène Cuvelier

Farmyard   1862

Salted paper print from a paper negative   25.80 x 19.60 cm (10 1/8 x 7 11/16 ins) (image)

Cleveland Museum of Art

Purchase from the J. H. Wade Fund, Accession No.: 2008.112

Eugène Cuvelier

Dormoir aux Vaches   1862

Albumen print from waxed paper negative   7-13/16 x 10-3/16 in (200 x 260 mm)

Charles Isaacs Photographs, Inc

Courtesy of Charles Isaacs Phototographs (www.charlesisaacs.com - o1236)   LL/9201

Francis Bedford

Erechtheum general view from the east   1862

Albumen print   10.2 x 12.7 cm (image) 19 x 24 cm (mount)

J. Paul Getty Museum

Getty Research Library, Special Collections and Visual Resources, Gary Edwards collection of photographs of Greece, 1842-1959, Id: 92.r.84_04-06-06   LL/41632

Title from inscription on mount, lower right: "Plate 48. Athens. The Erechtheum General View from the East." "Photographed by Francis Bedford during / [the Tour in the] the East on which by Command / [he accompanied] His Royal Highness / The Prince of Wales"--inscribed on mount, lower left, with text missing where mount is torn. "168 [?] / Athens / FBedford / May 30/62"--inscribed in negative, lower right.

Henry P. Moore [American, 1835-1911]

Slaves of General Thomas F. Drayton    1862

Albumen silver print   13 x 20.8 cm (5 1/8 x 8 3/16 in)

J. Paul Getty Museum

Object number: 84.XM.483.25    LL/50664

Luigi Montabone

Nasser Eddin Schiah   [Ricordi del viaggio in Persia della missione italiana 1862]   1862

Photograph, hand-coloured

Biblioteca Nazionale Marciana

N. inv.: 87266; segn.: 138.C.88. Tavola 1, scheda 251c    LL/52773

Luigi Montabone   [S.M.I. Nasser Eddin Schiah]   [Ricordi del viaggio in Persia della missione italiana 1862]    1862

Photograph, hand-coloured

Biblioteca Nazionale Marciana

N. inv.: 87266; segn.: 138.C.88. Tavola 2, scheda 252b    LL/52774

Luigi Montabone   [S.M.I. Nasser Eddin Schiah]   [Ricordi del viaggio in Persia della missione italiana 1862]   1862

Photograph, hand-coloured

Biblioteca Nazionale Marciana

N. inv.: 87266; segn.: 138.C.88. Tavola 3, scheda 253c   LL/52775

Luigi Montabone   [S.M.I. Nasser Eddin Schiah]   [Ricordi del viaggio in Persia della missione italiana 1862]   1862

Photograph

Biblioteca Nazionale Marciana

N. inv.: 87266; segn.: 138.C.88. Tavola 4, scheda 254b   LL/52776

Luigi Montabone

Palazzo del governatore generale del Caucaso in Tiflis   [Ricordi del viaggio in Persia della missione italiana 1862]   1862

Photograph

Biblioteca Nazionale Marciana

N. inv.: 87266; segn.: 138.C.88. Tavola 5, scheda 188b   LL/52777

Luigi Montabone

Piazza di Erivan in Tiflis   [Ricordi del viaggio in Persia della missione italiana 1862]   1862

Photograph

Biblioteca Nazionale Marciana

N. inv.: 87266; segn.: 138.C.88. Tavola 6, scheda 190b   LL/52778

Luigi Montabone

Capitano Cosacco    [Ricordi del viaggio in Persia della missione italiana 1862]   1862

Photograph

Biblioteca Nazionale Marciana

N. inv.: 87266; segn.: 138.C.88. Tavola 7, scheda 195b

Henry Draper

Henry Draper in Civil War uniform   1862

Tintype

Hastings Historical Society

Courtesy of the Hastings on Hudson Historical Society, Ph09909T   LL/38248

Henry Draper (1837-1882) followed in his famous father's footsteps as a medical doctor and amateur photographer. He served as a surgeon in the Twelfth Regiment of the New York State Militia for three months in the summer of 1862. By this time he had already built his astronomical observatory in Hastings-on-Hudson, and a year later he took his famous photographs of the moon.

Luigi Montabone

Missione Italiana   [Ricordi del viaggio in Persia della missione italiana 1862]   1862

Photograph

Biblioteca Nazionale Marciana

N. inv.: 87266; segn.: 138.C.88. Tavola 59, scheda 229b   LL/52831

Oscar Gustave Rejlander

Night in Town   1862

Albumen print    20.3 x 15.4 cm (8 x 6 1/16 in.)

Princeton University Art Museum

Museum purchase, gift of Mrs. Max Adler, Object Number: x1986-13   LL/44637

Samuel Montague Fassett (S.M. Fassett, Artist, 122 & 124 Clark St., Chicago, Ill.)
Robert Kennicott, Naturalist   1862

Carte de visite

Wisconsin Historical Society

Increase Allen Lapham: Papers, 1825-1930, carte-de-visite collection, WHS Image id: WHi-47793    LL/32878

Carte-de-visite of Robert Kennicott (1835-1866), American Naturalist. After 1853 he worked for Spencer Fullerton Baird at the Smithsonian Institution in Washington, D.C., and was a prominent member of their Megatherium Club. In 1865, Kennicott worked for the the Western Union Telegraph Expedition, attempting to find a possible route for a telegraph from the United States to Russia. Shown here in costume, possibly from an expedition to northern Canada. Handwritten inscription at the bottom reads, "Bob Kennicott."

Wisconsin Historical Society

Philippe Potteau

Ethnographic portrait: Feradji Soungui    1862

Albumen print   11.5 x 8.6

Artcurial

courtesy of Artcurial (Sale 1170, Lot 177)   LL/19539

Silas Holmes

Mathew Brady and his employees - D. Woodbury, E.T. Whitney, Ruins of the Arsenal, Harper's Ferry, West Virginia   1862

Albumen print

Library of Congress, Prints and Photographs Division

Ref: 4a39558u   LL/42985

Timothy H. O'Sullivan   [Slaves, J. J. Smith's Plantation, near Beaufort, South Carolina]
1862

Albumen silver print   21.4 x 27.3 cm (8 7/16 x 10 3/4 in)

J. Paul Getty Museum

Object number: 84.XM.484.39   LL/50663

Milton M. Miller Studio

Japanese Mission to Europe   1862

Albumen print   288 x 230mm

Old Japan

Images and text courtesy of Terry Bennett (Old Japan - www.old-japan.co.uk - EB-30018)   LL/9206