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Суббота, 03.12.2016, 05:22


"...Цивилизация гибнет только у тех, кто сам её уничтожил.
И в этом была главная ошибка Карусов.
Они пожалели тех, кто сам уничтожил свои Миры и сам для себя ничего не стал делать, чтобы выжить на своих погибших планетах..."
 
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    Реальный 19 век. Правда быта - Королева всех доказательств. 15.

    Реальный 19 век.

    Bourne & Shepherd

    Colonel Probyn and the Officers of the 11th Bengal Cavalry    1863   /   Albumen print 210 x 290 mm Bonhams – London

    Courtesy of Bonhams, London (Sale 15313 - India and Beyond in Books and Photography, Lot 242 - 26 Oct 2007)    LL/24104

    Начало...

    Фотографии 1863 года.

    Реальный 19 век.

    Abdullah frères

    Pompies Turcs. N?68. (Fire Brigade)    1863

    Albumen print

    American College of Greece    LL/47563

    Реальный 19 век.

    Alexander Gardner

    #253 Scene in the Woods at Slaughter Pen.    [Incidents of the War]    1863

    Stereoview, detail

    Jefferson Stereoptics

    Courtesy of John Saddy (Auction, Tues. August 29th & Thurs. August 31st, 2006, # 06-3, Lot 298)    LL/13805

    Cream mount series.

    Реальный 19 век.

     

    http://www.luminous-lint.com/app/tags/6/1863

    Alexander Gardner

    Home of a Rebel Sharpshooter    [Gardner's Photographic Sketch Book of the War. Incidents of the War, pl. 41]   1863

    Albumen print   7 x 9 in

    Lee Gallery

    Courtesy of Lee Gallery (Z1377)   LL/13908

    "Alex. Gardner, Photographer. Gettysburg, July, 1863. Entered according to act of Congress, in the year 1865, by A. Gardner, in the Clerk's Office of the District Court of the District of Columbia. Incidents of the War. Home of a Rebel Sharpshooter. Published by Philp & Solomon, Washington. 511 7th Street, Washington" printed in the margin recto.

    Original caption:

    On the Fourth of July, 1863, Lee's shattered army withdrew from Gettysburg, and started on its retreat from Pennsylvania to the Potomac. From Culp's Hill, on our right, to the forests that stretched away from Round Top, on the left, the fields were thickly strewn with Confederate dead and wounded, dismounted guns, wrecked caissons, and the debris of a broken army. The artist, in passing over the scene of the previous days' engagements, found in a lonely place the covert of a rebel sharpshooter, and photographed the scene presented here. The Confederate soldier had built up between two huge rocks, a stone wall, from the crevices of which he had directed his shots, and, in comparative security, picked off our officers. The side of the rock on the left shows, by the little white spots, how our sharpshooters and infantry had endeavored to dislodge him. The trees in the vicinity were splintered, and their branches cut off, while the front of the wall looked as if just recovering from and attack of geological small-pox. The sharpshooter had evidently been wounded in the head by a fragment of shell which had exploded over him, and had laid down upon his blanket to await death. There was no means of judging how long he had lived after receiving his wound, but the disordered clothing shows that his sufferings must have been intense. Was he delirious with agony, or did death come slowly to his relief, while memories of home grew dearer as the field of carnage faded before him? What visions, of loved ones far away, may have hovered above his stony pillow! What familiar voices may he not have heard, like whispers beneath the roar of battle, as his eyes grew heavy in their long, last sleep!

    On the nineteenth of November, the artist attended the consecration of the Gettysburg Cemetery, and again visited the "Sharpshooter's Home." The musket, rusted by many storms, still leaned against the rock, and the skeleton of the soldier lay undisturbed within the mouldering uniform, as did the cold form of the dead four months before. None of those who went up and down the fields to bury the fallen, had found him. "Missing," was all that could have been known of him at home, and some mother may yet be patiently watching for the return of her boy, whose bones lie bleaching, unrecognized and alone, between the rocks at Gettysburg

    Реальный 19 век.

    Alexander Gardner

    Ruins of Arsenal, Richmond, Virginia    1863

    Albumen print   6 3/4 x 8 ¾   /   Lee Gallery   LL/21288

    "Ruins of Arsenal, Richmond, Virginia". Directly under the photo is printed, "Alex. Gardner, Photographer, Entered according to act of Congress, in the year 1866, by A. Gardner, in the Clerk's Office of the District Court of the District of Columbia. 511 Seventh Street, Washington." "April, 1863" printed on mount under photo. Trimmed page from "Gardner's Photographic Sketch Book of the War" accompanies photo., U1956

    Реальный 19 век.

    Alexander Gardner

    Dead Confederate Soldier / Home of A Rebel Sharpshooter    [Incidents of the War]

    1863 (taken) 1865 (published)

    Albumen print    h: 7 x w: 8.9 in / h: 17.8 x w: 22.6 cm

    Etherton Gallery   LL/22160

    Реальный 19 век.

    Alexander Gardner

    Group military telegraph operators, HQ, Army of the Potomac, Bealton, VA   1863

    Albumen print

    Library of Congress, Prints and Photographs Division    Ref: 03771u    LL/43001

    Chief Telegrapher standing is A.H. Caldwell. I believe there are at least three well known photographers in the photograph but can't prove it. [Dave Tooley, pers. comm. February 2011]

    Реальный 19 век.

    Alexander Gardner [Attributed to]

    Alexander Gardner   1863

    Carte de visite   /   National Portrait Gallery, Smithsonian Institution   LL/45551

    Реальный 19 век.

    A.J. Russell

    [Railroad construction worker straightening track; pile of twisted rails in background]
    [Photographs illustrative of operations in construction and transportation, as used to facilitate the movements of the Armies of the Rappahannock, of Virginia, and of the Potomac ...]   1862-1863 (taken) 1863 (published)

    Salted paper print   28 x 29 cm

    Library of Congress, Prints and Photographs Division

    Call Number: LOT 9209 (H) (M) [P&P], LC-DIG-ppmsca-10413 (digital file from original photo, front) LC-USZ62-60086 (b&w film copy neg.)   LL/46826

    Boston : Wright & Potter Printers, 1863.

    Реальный 19 век.

    Carleton E. Watkins

    Ruins after Mill fire, Big River    1863

    Albumen print

    Bancroft Library, University of California Berkely

    Collection: Mendocino Coast Photographed by Carleton E. Watkins, Identifier: BANC PIC 1957.026:19   LL/38283

    Реальный 19 век.

    Carleton E. Watkins

    Indian Ranchería, Big River    1863

    Albumen print

    Bancroft Library, University of California Berkely

    Collection: Mendocino Coast Photographed by Carleton E. Watkins, Identifier: BANC PIC 1957.026:51   LL/38284

    The Bancroft Library holds multiple copies of this photograph. An effort was made to make an image of at least one copy available online. Bancroft duplicate(s) or near variant(s) may be found under: BANC PIC 19xx.199.2:2-3? Watkins' number: 194.

    Реальный 19 век.

    Carleton E. Watkins

    Russian Hill Observatory   1863

    Albumen silver stereograph, mounted on card stock

    J. Paul Getty Museum

    J. Paul Getty Trust [2000.78]   LL/5969

    А вот это больше похоже на вышку в концлагере в захваченной красной (советской) еврейско-немецкой армией казаков Эльстона: Grey slave war crimes Elston-Sumarokoff, современной нам России. Напомню, что Великая Война Bella Arm Air Kondrus с красной (советской) еврейско-немецкой армией казаков Эльстона: Grey slave war crimes Elston-Sumarokoff, идет с 1853 года, по всей Руси Святой, Великой, Белыя и Малыя.

    Реальный 19 век.

    Carleton E. Watkins

    The Town on the Hill, New Almaden   1863

    Albumen silver print, from glass negative   39.7 x 52.3 cm (15 5/8 x 20 9/16 in)

    Metropolitan Museum of ArtCopyright 

    2000-2005 The Metropolitan Museum of Art. - Purchase, The Horace W. Goldsmith Foundation Gift, 1989 (1989.1083)   LL/6325

    Реальный 19 век.

    Désiré Charnay

    Femmes Betsimisaraka, Madagascar   1863

    Albumen silver print, from glass negative   19.7 x 17 cm (image) 28.7 x 23.1 cm (mount)

    Metropolitan Museum of Art    LL/49876

    Реальный 19 век.

    Cundall Downes & Co. (London)

    Auxerre Cathedral - Sculpture. North side of doorways (Noyon - Cathedrale)   1863

    Albumen print    270 x 225 mm / 10 5/8 x 8 7/8 in (ca)

    Eastern Window (Jan van der Wal)

    Courtesy of Jan van der Wal (fr6-03)   LL/15010

    Реальный 19 век.

    De Torbéchet, Allain et Cie

    Le Jeu    1863

    Tirage sur papier albuminé d'après négatif sur verre au collodion. Format carte de visite
    Bibliothèque Nationale de France, Département des Estampes et de la Photographie
    Estampes et Photographie. D.L. Eo2 Torbéchet. D.L. 1863   LL/7045

    Реальный 19 век.

    Eugène Cuvelier

    Quarry at the Sands of Macherin   1863

    Metropolitan Museum of Art

    Purchase, Harriette and Noel Levine Gift and Rogers Fund, 1996   LL/41162

    Реальный 19 век.

    Eugène Cuvelier

    Chailly, Route de Fontainebleau   1863

    Albumen print    20,3 x 26 cm ( 8 x 10 1/4 ins)

    Sotheby's – Paris

    Photographies , 29 May 2013, Auction: PF1310, Lot: 34   LL/50897

    Реальный 19 век.

    Felice Beato

    Arima Sama Palace, Edo   1863

    Albumen print   8 1/2 x 11 ins

    J. Paul Getty Museum

    Partial gift from the Wilson Centre for Photography, 2007.26.48   LL/46096

    Реальный 19 век.

    George Washington Wilson

    Queen Victoria on 'Fyvie' with John Brown at Balmoral   1863

    Carte de visite   9.20 x 6.10 cm

    National Galleries of Scotland

    Courtesy of the National Galleries of Scotland, Gift of Mrs. Riddell in memory of Peter Fletcher Riddell 1985 (PGP R 884)   LL/7397

    Реальный 19 век.

    Gustav Jõgermayer

    Welitz Glacier, East by North from the Foot of the Umbal Glacier   1863

    Albumen print, mounted on cardboard

    Albertina

    Albertina, Vienna   LL/42239

    Реальный 19 век.

    Henri Plaut

    La colonne Vendôme, Paris   1863

    Albumen print   17.3 x 12.3 cm

    Piasa

    Photographs, 25 May 2012, Lot: 6   LL/48141

    Реальный 19 век.

    Henry Peach Robinson

    Autumn   1863

    Albumen print

    National Media Museum

    The Royal Photographic Society, Ref Number: 2003-5001/2/20670   LL/41752

    Реальный 19 век.

    Henry Moulton

    The Municipality Building, Lima, Peru   1863

    Albumen print

    British Library   LL/6484

    Реальный 19 век.

    Knud Knudsen

    Utentittel   1863

    Black and white image

    University of Bergen Library (Universitetsbiblioteket I Bergen) Knudsensamlingen    UBB-KK-NSX-0058a   LL/54796

    Реальный 19 век.

    Lewis Carroll

    Fair Rosamond   1863

    Albumen print   8 3/4 x 7 in (22.2 x 17.7 cm)

    Swann Galleries - New York

    Courtesy of Swann Galleries (Auction, Oct 15, 2007, #2124, Lot 40)   LL/23150

    From the collection of the photographer to Annie Rogers, descended to members of Rogers's family; to an American gentleman.

    This print was featured in the Carroll exhibition, curated by Douglas Nickel, at the San Francisco Museum of Modern Art, and was reproduced in the accompanying book, "Dreaming in Pictures," pl. 33.

    Lewis Carroll, Photographer, pl. 182.

    A discussion of the image appears in "Lewis Carroll Diaries," vol., 4, p. 217.

    A lyrical depiction of Annie Rogers (who appears as Queen Eleanor) and Mary Jackson (as Fair Rosamond) by the master mathematician-cum-photographic genius Lewis Carroll.

    Реальный 19 век.

    Lewis Carroll

    Irene MacDonald, Flo Rankin, and Mary MacDonald at Elm Lodge   1863

    Albumen silver print, from glass negative   22.2 x 18 cm (8 3/4 x 7 1/16 ins)

    Metropolitan Museum of Art

    Gilman Collection, Purchase, Joyce F. Menschel Gift, 2005, Accession Number: 2005.100.22   LL/40531

    Реальный 19 век.

    Lewis Carroll

    Amy Hughes   1863

    Albumen print

    Harry Ransom Humanities Research Center at the University of Texas at Austin
    Gernsheim Collection   LL/45909

    This photograph was included in the exhibition The Pre-Raphelite Lens: British Photography and Painting, 1848-1875 at the National Gallery of Art, Washington, DC (October 31, 2010 - January 30, 2011)

    Реальный 19 век.

    Lewis Carroll

    Irene MacDonald   1863

    Albumen print   24.80 x 19.50 cm

    National Galleries of Scotland

    Courtesy of the National Galleries of Scotland, Purchased 1990 (PGP 189.21)   LL/7696

    Реальный 19 век.

    Myron H. Kimball (American, active 1860s)

    Emancipated Slaves   1863

    Albumen silver print, from glass negative   13.2 x 18.3cm (5 3/16 x 7 3/16in.) (image) 19.9 x 25.2 cm (7 13/16 x 9 15/16 ins) (oval mat)

    Metropolitan Museum of Art

    Gilman Collection, Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel, 2005, Accession Number: 2005.100.92   LL/40560

    Реальный 19 век.

    M.H. Kimball

    Rebecca, Augusta and Rosa. Emancipated Slaves from New Orleans   1863

    Carte de visite

    Charles Schwartz Ltd   LL/34588

    Реальный 19 век.

    Notman & Sons

    Harbour from Notre-Dame Church, look east, Montreal, QC   1863

    Notman Photographic Archives, McCord Museum of Canadian History   LL/33621

    Works from the "After Notman" series use the iconic images taken by the Montreal studio of Notman & Sons as a starting point and then Andrzej Maciejewski rephotographed the same locations as exactly possible between 1999 and 2001. An exhibition of the original Notman photographs and those of Andrzej Maciejewski were exhibited at the McCord Museum in Montreal (July 26, 2003 to July 25, 2004).

    Реальный 19 век.

    O.D. Finch

    Bivouac of the 45th Illinois near the Shirley House   1863

    Carte de visite

    Jeffrey Kraus Antique Photographics   LL/45552

    Реальный 19 век.

    O.D. Finch

    One of the Confederate River Batteries of General John C. Pemberton during the siege of Vicksburg, Mississippi   1863

    Carte de visite

    Jeffrey Kraus Antique Photographics   LL/45553

    (pers. email - Jeffrey Kraus - 25 December 2011] Jeffrey Kraus has attributed this photograph to O.D. Finch but we are searching for proof of this and would welcome further information.

    Реальный 19 век.

    O.D. Finch

    Bivouac of the 45th Illinois near the Shirley House   1863

    Salted paper print   16.5 x 21.6 cm (6 1/2 x 8 1/2 in)

    American Art Museum, Smithsonian Institution

    Smithsonian American Art Museum, museum purchase from the Charles Isaacs Collection made possible in part by the Luisita L. and Franz H. Denghausen Endowment   LL/7561

    Реальный 19 век.

    Philippe Potteau

    Saci ben Bakri ben Salem (Tirailleur algérien) né à Tunis de père et de mère Cafres   1863

    Albumen prints   17.8 x 12.8 cm / 17.3 x 12.5 cm

    Gros & Delettrez

    Books, Manuscripts - Orientalist Photographs, 19 June 2012, Lot: 156   LL/48494

    Реальный 19 век.

    Samuel Broadbent   [Mary Elizabeth Garesche and child]   1863

    Tintype, 1/4 plate, cased

    Library Company of Philadelphia    Accession number: P.8510   LL/51038

    Lovely portrait of Garesche turned slightly to her left with a white lace bonnet tied under her chin. She is cradling her daughter in her arms. Hand colored pink on cheeks.

    Реальный 19 век.

    Timothy H. O'Sullivan

    Gettysburg, Pennsylvania    [Gardner's Photographic Sketch Book of the War. Incidents of the War, pl. 35]   1863

    Albumen print   7 x 9 in

    Lee Gallery

    Courtesy of Lee Gallery (Z1363)   LL/14026

    "Negative by T.H. O'Sullivan. Entered according to Act of Congress in the year 1865, by A. Gardner, in the Clerk's Office of the District Court of the District of Columbia. Incidents of the War. Gettysburg. July 1863. Published by Philp & Solomon, Washington. Positive by A. Gardner, 511 7th St., Washington" printed in margin recto.

    Original caption:

    Gettysburg, the scene of Lee's defeat in 1863, is a post borough and zhundred and fourteen miles west of the former city. It stands on elevated ground, in the midst of a fertile farming country. The Court-House and public offices are handsome and commodious; and the private residences are all built in a neat and substantial manner. The town has a flourishing Lutheran Theological Seminary, with a library of about ten thousand volumes; and is also the seat of Pennsylvania College. The manufacture of carriages is carried on to a greater extent than any other business. A number of copper mines have been opened in the neighborhood, and worked with considerable success. The town numbers about four thousand inhabitants.

    It was back of this place that the Federal cavalry first met the Confederate infantry, on the 1st of July, 1863, and on the left of the picture can be seen Seminary Ridge, where General Reynolds was killed. This view is taken from Cemetery Ridge, where our artillery was massed, and against which the Confederates directed their most terrible assaults in the last day's fight. The town suffered considerably from the fire of our artillery, and the houses in some parts of the place were covered with indentations of musket balls. Very few of the inhabitants were injured, however, most of them taking refuge in their cellars and other sheltered places.

    Реальный 19 век.

    Timothy H. O'Sullivan

    Fredericksburg, VA    [Gardner's Photographic Sketch Book of the War. Incidents of the War, pl. 30]   1863

    Albumen print   7 x 9 in

    Lee Gallery

    Courtesy of Lee Gallery (Z1372)   LL/14031

    "Negative by T.H. O'Sullivan. February, 1863. Entered according to act of Congress, in the year 1865, by A. Gardner, in the Clerk's Office of the District Court of the District of Columbia. Incidents of the War. Fredericksburg, VA. Published by Philp & Solomon, Washington. Positive by A. Gardner, 511 7th Street, Washington" printed in the margin recto.

    Реальный 19 век.

    Timothy H. O'Sullivan

    Wagon park, Brandy Station    1863

    Albumen print

    British Library   LL/6497

    Реальный 19 век.

    Timothy_H__Osullivan_RESERVED

    Field Where General Reynolds Fell, Battlefield of Gettysburg   [Gardner's Photographic Sketch Book of the War. Incidents of the War, pl. 37]   1863

    Albumen silver prints, from glass negatives   17.8 x 22.7 cm (7 x 8 15/16 in)

    Metropolitan Museum of Art

    The Metropolitan Museum of Art, New York - Gilman Collection, Purchase, 2005   LL/7457

    Реальный 19 век.

    Unidentified photographer

    Portrait d'officiers des gendarmes de la garde impériale    1863

    Albumen print   28 x 40 cm (sheet)

    ARCHIM - Service interministériel des archives de France

    Dossier Photographies sur le Second Empire réunies par l'abbé Misset, No notice 00274, Cote 400AP/218   LL/45755

    Реальный 19 век.

    Unidentified photographer

    Mr Breton's house in Puebla de los Angeles, Mexico, during the siege of 1863   1863

    Albumen print

    British Library   LL/6499

    Реальный 19 век.

    Vicomte Aynard Athanse de Banville

    View of Luxor   1863

    Albumen print

    Bassenge Photography Auctions

    Photography 19th-21st Century (1 June 2011) Lot: 4015   LL/43690

    Реальный 19 век.

    William Notman

    #5384, Capt. Hon. Wenham Clarence Walpole Coke   1863

    Carte de visite

    Stereographica - Antique Photographica    Courtesy of Bryan and Page Ginns (#15 / 143)   LL/11056

    CDV #5384 is Capt. Hon. Wenham Clarence Walpole Coke, taken in Montreal, in 1863. His full identification is Captain Honourable Wenham Clarence Walpole Coke, of the Scots Fusilier Guards, British Army.

    This identification was kindly provided by Nora Hague, Senior Cataloguer at the Notman Photographic Archives, McCord Museum of Canadian History, 690 Sherbrooke Street West, Montreal, QC, H3A 1E9, Canada. [Pers. comm. Nov 24, 2008]

    Реальный 19 век.

    William Studwick

    Abingdon Street and the Houses of Parliament   1863

    Albumen print

    Westminster City Archives    LL/6068

    Реальный 19 век.

    Nadar

    Disaster of the balloon "Le Géant" at "Nieubourg" near in 1863   1863

    Illustration

    Creative Commons – Wikipedia   LL/50748

    Illustration signed lower right by "Henry de M" et "PETIT" 1863.

    Реальный 19 век.

    Albert Augustus Isaacs

    The Ecce Homo Arch   1863

    Book illustration

    Google Books   LL/48329

    Rev. Albert Augustus Isaacs "A Pictorial Tour of The Holy Land" (London: Wertheim,

    Macintosh, & Hunt, 1863), p.66-67

    Реальный 19 век.

    Unidentified photographer/creator

    Fig. 86. - Coupe de l'atelier vitré    1863

    Book illustration

    Google Books   LL/34832

    Published in "Traité Général De Photographie" by D.V. Monckhoven (Paris: Librairie de Victor Masson et Fils, 1863)

    Реальный 19 век.

    Unidentified photographer/creator

    Fig. 87. - Atelier vitré dans l'hypothÞse de la figure 84   1863

    Book illustration

    Google Books   LL/34833

    Published in "Traité Général De Photographie" by D.V. Monckhoven (Paris: Librairie de Victor Masson et Fils, 1863)

    Реальный 19 век.

    Unidentified photographer/creator

    Fig. 88. - Atelier vitré de petite dimension   1863

    Book illustration   /   Google Books   LL/34834

    Published in "Traité Général De Photographie" by D.V. Monckhoven (Paris: Librairie de Victor Masson et Fils, 1863)

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    Александра Римская 18.01.2015 г., 663, Anno Domini. Xikrik to river Novogor

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    Группа ВК "История

    Категория: Армия Ангелов Карусов | Добавил: Александра (18.01.2015) | Автор: Сандра Римская E W
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    Неделя землетрясения в Сан-Франциско Армии в 1906 году 
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