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Карусов
Четверг, 08.12.2016, 17:04


"...Цивилизация гибнет только у тех, кто сам её уничтожил.
И в этом была главная ошибка Карусов.
Они пожалели тех, кто сам уничтожил свои Миры и сам для себя ничего не стал делать, чтобы выжить на своих погибших планетах..."
 
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  • 08.12.2016 Лица Истории
  • 08.12.2016 История тюрьмы и лагерей
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  • 07.12.2016 Интересное, познавательное
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  • 05.12.2016 Скульптура Армии Карусов

  • Наш опрос
    Должны ли быть сведения об Армии Карусов в учебниках по истории?
    1. Должны. Но надо и далее находить и распространять те факты, которые подтверждают реальную историю.
    2. Должны. Для этого уже достаточно фактов.
    3. Затрудняюсь ответить, так как еще не знаком(а) со статьями Сандры Римской.
    4. Не должны. Фактов существования Армии Карусов пока недостаточно.
    5. Не должны. Ученым, написавшим историю Руси, виднее, каким было наше прошлое.
    Всего ответов: 56

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    Система Orphus


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    Главная » Статьи » Государство » Армия Ангелов Карусов

    Реальный 19 век. Правда быта - Королева всех доказательств. 36.

    Реальный 19 век.

    Aldolarius Humphrey Boyd [Attributed to]

    John Williams, per Ld. [i.e. Lady] Montagu F.S., P.O. Latrobe, 13.3.84, larceny, 12 months, age 59    [Convict portraits, Port Arthur]   1884

    Carte de visite   /   National Library of Australia   nla.pic-an24612797   LL/39407

    Начало...

    Фотографии 1884 года.

    No photographer name or studio stamp appears on these photographs. Formerly attributed to Thomas J. Nevin, the portraits are now considered more likely to have been taken by A.H. Boyd. See: Julia Clark "A question of attribution: Port Arthur's convict portraits", Journal of Australian Colonial History, Vol 12, 2010, p77-97.

    Aldolarius Humphrey Boyd [Attributed to]

    George Ormiston, [per] F.C. Monqund, 3 years, 5.2.84, horse stealing and uttering    [Convict portraits, Port Arthur]    1884

    Carte de visite

    National Library of Australia    nla.pic-vn4270377   LL/39408

    No photographer name or studio stamp appears on these photographs. Formerly attributed to Thomas J. Nevin, the portraits are now considered more likely to have been taken by A.H. Boyd. See: Julia Clark "A question of attribution: Port Arthur's convict portraits", Journal of Australian Colonial History, Vol 12, 2010, p77-97.

    Alexander Henderson

    Crossing St. Lawrence in Spring   1884

    Albumen silver print   15.2 x 20.5 cm

    National Gallery of Canada

    Courtesy of the National Gallery of Canada (no. 22804.3), Purchased 1976  

    LL/6701

     

     

    Angerer [Attributed to]

    Proclamation of the British Protectorate at Port Moresby, Papua New Guinea   1884

    Albumen print

    Cambridge University Library, Royal Commonwealth Society

    Cambridge University Library, RCS Y3084A/37    LL/40100

    Édouard Baldus

    Cour des Bureaux, l'Hotel d'Ville, Paris    1884

    Heliogravure   9 3/4 x 12 1/2 ins

    Archive Farms    LL/55214

    Publication: E. Baldus, Reconstruction de 'Hotel de Ville de Paris, Des Fossez et Cie, Editeurs, Paris, 1884, pl. 40   

    Notes: This plate is part of a series of 100 published by Baldus in 1884 showing the reconstruction of the Hotel de Ville in Paris following its destruction during the Paris Commune of 1871. It was Baldus last project; he declared bankruptcy in 1897 and died two years later.

    Édouard Baldus

    Cour Louis XIV, l'Hotel d'Ville, Paris   1884

    Heliogravure   10 x 13 3/4 ins

    Archive Farms    LL/55215

    Publication: E. Baldus, Reconstruction de 'Hotel de Ville de Paris, Des Fossez et Cie, Editeurs, Paris, 1884, pl. 58

    Notes: This plate is part of a series of 100 published by Baldus in 1884 showing the reconstruction of the Hotel de Ville in Paris following its destruction during the Paris Commune of 1871. It was Baldus last project; he declared bankruptcy in 1897 and died two years later.

    Édouard Baldus

    Escalier Circulaire, l'Hotel d'Ville, Paris   1884

    Heliogravure    10 x 13 3/4 ins

    Archive Farms   LL/55216

    Publication: E. Baldus, Reconstruction de 'Hotel de Ville de Paris, Des Fossez et Cie, Editeurs, Paris, 1884, pl. 50

    Notes: This plate is part of a series of 100 published by Baldus in 1884 showing the reconstruction of the Hotel de Ville in Paris following its destruction during the Paris Commune of 1871. It was Baldus last project; he declared bankruptcy in 1897 and died two years later.

    François Escard

    Prince Roland Bonaparte's 1884 expedition. Roland seated, centre.    1884

    Albumen print

    Creative Commons – Wikipedia   LL/47138

    The original source and inventory number for this photograph is requested.

    F. Jay Haynes

    Lone Star Geyser Cone, Yellowstone National Park   1884

    Albumen print    43.2 x 55.2 cm (17 x 21 3/4 in)

    American Art Museum, Smithsonian Institution

    Smithsonian American Art Museum, museum purchase from the Charles Isaacs Collection made possible in part by the Luisita L. and Franz H. Denghausen Endowment   LL/7573

    Henry Peach Robinson

    He Never Told His Love    1884

    Woodburytype

    National Media Museum   The Royal Photographic Society, Ref Number: 2003-5001/2/21450   LL/41755

    Henry Peach Robinson

    The Stream In Summer    1884 (taken) 1902 (ca, print)

    Platinotype print, sepia-toned    27 x 37.5 cm

    Leonard Joel   

    Sale LJ5801, Lot 253    LL/52436

     

    J.C. Schaarwächter

    Robert Koch   1884

    Albumen print    14.5 x 10 cm

    Bassenge Photography Auctions

    Photography 19th-21st Century (1 June 2011) Lot: 4068    LL/43712

    J.P. Mayall

    V.C. Prinsep, A.R.A.    1884

    Photoengraving   21.8 x 16.7 cm

    Harry Ransom Humanities Research Center at the University of Texas at Austin    HRC    LL/6110

    J. Landy

    Cincinnati, Ohio. the Flood of 1884. Photographs of Cincinnati & Vicinity taken during the Highest Water. 22. Front Street looking West from John Street.    [The Flood of 1884]    1884

    Albumen print   5 x 10 in

    Jeffrey Kraus Antique Photographics

    Courtesy of Jeffrey Kraus (Disbd4)   LL/10932

    J. Landy, 208 West Fourth St., Cincinnati, O.

    Moisés Valdéz [Attributed to]

    Quechisla   1884

    Albumen print   8 1/2 x 6 1/2 in

    Private collection of Daniel Buck   LL/17827

    Administrative headquarters of Aramayo, Francke & Co.

    Notman & Sons

    View of the harbour, looking east, Montreal, QC   1884

    Notman Photographic Archives, McCord Museum of Canadian History   LL/33611

    Works from the "After Notman" series use the iconic images taken by the Montreal studio of Notman & Sons as a starting point and then Andrzej Maciejewski rephotographed the same locations as exactly possible between 1999 and 2001. An exhibition of the original Notman photographs and those of Andrzej Maciejewski were exhibited at the McCord Museum in Montreal (July 26, 2003 to July 25, 2004).

    Notman & Sons

    Notre-Dame-de-Bon-Secours Chapel, St. Paul Street, Montreal, QC   1884

    Notman Photographic Archives, McCord Museum of Canadian History   LL/33627

    Works from the "After Notman" series use the iconic images taken by the Montreal studio of Notman & Sons as a starting point and then Andrzej Maciejewski rephotographed the same locations as exactly possible between 1999 and 2001. An exhibition of the original Notman photographs and those of Andrzej Maciejewski were exhibited at the McCord Museum in Montreal (July 26, 2003 to July 25, 2004).

    Notman & Sons

    Living room, Mrs. George Stephen's House, Montreal, QC   1884

    Notman Photographic Archives, McCord Museum of Canadian History   LL/33643

    Works from the "After Notman" series use the iconic images taken by the Montreal studio of Notman & Sons as a starting point and then Andrzej Maciejewski rephotographed the same locations as exactly possible between 1999 and 2001. An exhibition of the original Notman photographs and those of Andrzej Maciejewski were exhibited at the McCord Museum in Montreal (July 26, 2003 to July 25, 2004).

    Pieter Oosterhuis

    Amsterdam   1884

    Private collection of Jan Weijers (Servatius)   Courtesy of Jan Weijers   LL/26082

     

     

    Eduard Isaac Asser

    View from the roof of the photographer's house, Amsterdam    1851-1853

    Album (mounted on paper), Salted paper print from wet collodion on glass negative
    Rijksmuseum    Copyright    Rijksmuseum Amsterdam (RP-F-AB12278-B)    LL/25790

    Eduard Isaac Asser

    View from the roof of the photographer's house looking across the Singel Canal, Amsterdam    1851-1853

    Salted paper print, from wet collodion on glass negative

    Rijksmuseum    Objectnummer: RP-F-AB12278-A    LL/48886

    Eduard Isaac Asser

    View from the photographer's house looking towards the lodging Logement Rondeel with horse-drawn tram, Amsterdam.   1853-1855

    Salted paper print, from wet collodion on glass negative

    Rijksmuseum    Objectnummer: RP-F-AB12279-BC   LL/48887

    Eduard Isaac Asser

    View of the Westerhal on Westermarkt, Amsterdam   1854-1856

    Salted paper print, from wet collodion on glass negative

    Rijksmuseum   Objectnummer: RP-F-AB12280-T    LL/48893

    Eduard Isaac Asser

    View from the photographer's house showing the junction with Reguliersbreestraat and a through-view of the river Amstel, Amsterdam    1852-1857

    Album (mounted on paper), Salted paper print from wet collodion on glass negative

    RijksmuseumCopyright 

    Rijksmuseum Amsterdam (RP-F-AB12279-I)   LL/25791

    Robert Demachy

    Canal Scene, Amsterdam   1900 (ca)

    Bromoil transfer ?    4 1/8 x 3 in

    Lee Gallery    LL/21474

    Pow Kee

    Fishing, Hankow   1884

    Albumen print   21.9 x 28.2 cm

    National Galleries of Scotland    Acc. No. PGP R 880    LL/56761

    Reichard & Lindner (Berlin)

    Kaiser Wilhelm I    1884

    Cabinet card

    Private collection of T. Max Hochstetler    LL/22016

    Reichard & Lindner (Berlin)

    Crown Prince Wilhelm    1884

    Cabinet card

    Private collection of T. Max Hochstetler   LL/22022

    Thomas Byrnes

    The Inspector's Model    [Professional Criminals of America (1886)]   1884

    Photomechanical reproduction   LL/33250

     

    Thomas Eakins

    Jesse Godley   1884

    Chronophotograph taken with a single-disk, Marey-wheel camera

    Philadelphia Museum of Art    LL/33169

    Offenders did not always want to cooperate with police. In The Inspectors Model (1884), four men struggle to hold a prisoner so that his picture can be taken as Byrnes, the inspector, looks on. Byrnes described the importance of photographing criminals: "Deception is their business [and] there are many who carry no suggestion of their calling about them . . . men who lead double lives." Yet Byrnes also comments: "Is physiognomy any guide? A very poor one. Judge for yourself. Look through the Rogue's Gallery and see how many rascals you find there who resemble the best people in the country."

    Thomas Byrnes, Professional Criminals of America (New York: Cassell and Company, 1886), 54, 55

    Thomas Eakins

    Marey Wheel Photographs of George Reynolds   1884

    Albumen print   2 7/8 x 3 13/16 in irreg. (7.2 x 9.7 cm)

    Smithsonian Hirshhorn Museum and Sculpture Garden

    Gift of Joseph H. Hirshhorn, 1966, Accession Number: 83.47    LL/37581

    Thomas Eakins

    Marey Wheel Photographs of Thomas Eakins   1884

    Platinum print   1 5/8 x 2 1/2 in (4.1 x 6.3 cm)

    Smithsonian Hirshhorn Museum and Sculpture Garden

    Gift of Joseph H. Hirshhorn, 1966, Accession Number: 83.38    LL/37588

    Thomas Eakins

    Marey Wheel Photographs of Unidentified Model   1884

    Albumen print   2 7/8 x 3 5/8 in (7.2 x 9.2 cm)

    Smithsonian Hirshhorn Museum and Sculpture Garden

    Gift of Joseph H. Hirshhorn, 1966, Accession Number: 83.42   LL/37589

    Thomas Eakins

    Marey Wheel Photographs of Unidentified Model, with Eadweard Muybridge Notations   1884

    Gelatin silver print   9 1/8 x 11 1/4 in (23.2 x 28.5 cm)

    Smithsonian Hirshhorn Museum and Sculpture Garden

    Gift of Joseph H. Hirshhorn, 1966, Accession Number: 83.59   LL/37591

    Unidentified photographer

    Group of military personnel stationed in Fyzabad have dressed themself for a play.   1884

    Albumen print   23,5 x 18 cm (ca)

    Eastern Window (Jan van der Wal)    Courtesy of Jan van der Wal (in108-02)   LL/15007

    Titled in pencil below the photograph "Theatricals - Fyzabad 1884".

    Unidentified photographer

    Survivors of the Greeley Arctic Exploring Expedition   1884

    Cabinet card

    Swann Galleries - New York

    Courtesy of Swann Galleries (Auction, The Eric C. Caren Collection: How History Unfolds on Paper, Part 1, Sept 15, 2011, #2253, Lot 72)    LL/44192

     

    Lot note provided by Swanns.

    Lieutenant Adolphus Greeley of the United States Army Signal Corps and 23 men set off to explore the northern Canadian Arctic in 1881. The relief vessels planned for 1882 and 1883 were unable to reach the party. By the time a third effort found the party on Cape Sabine in June 1884, cannibalism was suspected, and only seven men survived, one of whom died on the voyage home. This photograph shows the survivors two months after their rescue. Greeley is front and center.

    Unidentified photographer

    Night-Blooming Cereus, Closed after Blooming   1884

    Albumen print   20.3 x 14.6 cm (8 x 5 3/4 in)

    American Art Museum, Smithsonian Institution

    Smithsonian American Art Museum, museum purchase from the Charles Isaacs Collection made possible in part by the Luisita L. and Franz H. Denghausen Endowment   LL/7631

    http://www.luminous-lint.com/app/tags/6/1884

     

    Продолжение...

     

    Александра Римская 28.01.2015 г., 663, Anno Domini. Xikrik to river Novogor

    Список статей Сандры Римской

    http://sandra-rimskaya.livejournal.com/476350.html

    Группа ВК "История

    Категория: Армия Ангелов Карусов | Добавил: Александра (29.01.2015) | Автор: Сандра Римская E W
    Просмотров: 532 | Теги: Армия Карусов, королева доказательств, история, быт 19 века | Рейтинг: 5.0/1
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