АРМИЯ
Карусов
Воскресенье, 11.12.2016, 09:00


"...Цивилизация гибнет только у тех, кто сам её уничтожил.
И в этом была главная ошибка Карусов.
Они пожалели тех, кто сам уничтожил свои Миры и сам для себя ничего не стал делать, чтобы выжить на своих погибших планетах..."
 
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  • 10.12.2016 Моя личная История.
  • 10.12.2016 Армия Карусов
  • 10.12.2016 Скульптура Армии Карусов
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  • Наш опрос
    Должны ли быть сведения об Армии Карусов в учебниках по истории?
    1. Должны. Но надо и далее находить и распространять те факты, которые подтверждают реальную историю.
    2. Должны. Для этого уже достаточно фактов.
    3. Затрудняюсь ответить, так как еще не знаком(а) со статьями Сандры Римской.
    4. Не должны. Фактов существования Армии Карусов пока недостаточно.
    5. Не должны. Ученым, написавшим историю Руси, виднее, каким было наше прошлое.
    Всего ответов: 56

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    Главная » Статьи » Государство » Армия Ангелов Карусов

    Реальный 19 век. Правда быта - Королева всех доказательств. 38.

    Реальный 19 век.

    Unidentified photographer/creator

    La Gouloe   1886   /   Cabinet card, composite, hand colored

    Charles Schwartz Ltd    Courtesy of Charles Schwartz (#9343)    LL/9504

    Начало...

    Фотографии 1886 года.

    Cabinet card featuring a hand colored composite of can can dancers at the Moulin Rouge featuring La Goulue. "La Goulue", the subject of some of Toulouse Lautrec's most famous lithographs, was the queen of the Moulin Rouge from 1886-1895. She was nicknamed "the glutton" both because of her habit of finishing patron's drinks and reputed sexual appetite. Printed on Card "Celebrites Choregraphiques" "La Goulue" and "Quadrille Au Moulin Rouge"

    Реальный 19 век.

    Adam Diston (Leven / Scotland)

    Cutting a sunbeam    1886

    Photograph

    Private collection of Jan Weijers (Servatius)    LL/50355

    Реальный 19 век.

    Adolfo Farsari

    192 Rooms    1886

    Albumen print, watercolor images in margins   19.8 x 24.5 cm (7 13/16 x 9 5/8 ins)

    Museum of Fine Arts, Boston

    Gift of Jean S. and Frederic A. Sharf, Accession No: 2004.269.16   LL/46656

    Реальный 19 век.

    A. Frank Randall

    Arizona female scout   1886

    Photographic print

    Huntington Library, Art Collections and Botanical Gardens    LL/50430

    Реальный 19 век.

    A. Frank Randall

    Natches [i.e., Naiche] and Geronimo after their surrender in ’86 at Fort Bowie, Ariz.    1886

    Photographic print

    Huntington Library, Art Collections and Botanical Gardens    LL/50433

    Реальный 19 век.

    A. Frank Randall

    Yours to Help the Oppressed, A. Franklin Randall [Portrait of A. Frank Randall]   1886

    Photographic print

    Huntington Library, Art Collections and Botanical Gardens   LL/50434

    Реальный 19 век.

    Charles Bayliss

    Bourke   [New South Wales Royal Commission: Conservation of water. Views of scenery on the Darling and Lower Murray during the flood of 1886]    1886

    Albumen print   24.1 x 29.5 cm (image)

    Art Gallery of NSW

    Purchased 1984, Accession number: 74.1984.1    LL/54725

    Реальный 19 век.

    Charles Bayliss

    Distant view of Jandra Rocks    [New South Wales Royal Commission: Conservation of water. Views of scenery on the Darling and Lower Murray during the flood of 1886]   1886

    Albumen print    20.4 x 28.9 cm (image)

    Art Gallery of NSW    Purchased 1984, Accession number: 74.1984.5    LL/54726

    Реальный 19 век.

    Charles Bayliss

    Wool-washing at Gundabooka Station, Darling River    [New South Wales Royal Commission: Conservation of water. Views of scenery on the Darling and Lower Murray during the flood of 1886]    1886

    Albumen print    23.3 x 29.3 cm (image)

    Art Gallery of NSW     Purchased 1984, Accession number: 74.1984.8    LL/54727

    Реальный 19 век.

    Elbridge Willis Moore (1857-?)

    Captain and Chief Engineer of the Kassald, Columbia River, Oregon    1886

    Albumen print, mixed media    7 1/2 x 4 3/4 in (19.1 x 12.1 cm)

    Swann Galleries - New York   Sale 2208 Lot 4   LL/35571

    With a hand-drawn nautical cut-out (which is weaving in and out of the photograph) adhered to the mount, and metal circular studs tacked to a secondary mount; with gilt edges and a label containing Moore's name.

    Реальный 19 век.

    Emile Joachim Constant Puyo

    Portrait de Jeune Femme avec Photo au Mur    1886

    Albumen print    6 11/16 x 9 1/8 in

    Lee Gallery

    Image courtesy of the Lee Gallery (www.leegallery.com)    LL/3308

    Реальный 19 век.

    Étienne Jules Marey

    [Bird in Flight]    1886

    Albumen silver print, from glass negative    3.3 x 17.3 cm (1 5/16 x 6 13/16 ins)

    Metropolitan Museum of Art

    Gilman Collection, Purchase, Denise and Andrew Saul Gift, 2005, Accession Number: 2005.100.820    LL/40404

    Реальный 19 век.

    Eugenio Courret

    Self portrait of Eugenio Courret    1886

    Photographic print

    Creative Commons – Wikipedia    LL/46684

    Реальный 19 век.

    F. Jay Haynes

    The interior of the Haynes Palace Studio Car at Helena (M/T.)    1886

    Uncertain format

    Creative Commons – Wikipedia    LL/36180

    This photograph was published with the following note in Edward W. Nolan Northern Pacific views: The railroad photography of F. Jay Haynes, 1876-1905 (Helena, MT: Montana Historical Society Press, 1983):

    The reception room in the Palace Studio car displayed the wide variety of photograph types available to patrons. In addition to fancy frames, Haynes offered mammoth plate views of Yellowstone for sale. The sitting room was through the door to the left of the desk, and beyond that were the living quarters.

    [The details on the archive holding the original image along with the accession id are requested. A copy of this photograph may be at Institute for Regional Studies, NDSU, Fargo ]

    Реальный 19 век.

    Fred Boissonnas

    Painter    1886

    Carte de visite    4 x 2.5 in(102 x 64mm)

    Carl Mautz Vintage Photographs

    Courtesy of Carl Mautz    LL/11984

    Реальный 19 век.

    Henry Dixon

    London - Queen Anne's Gate    [The Society for photographing relics of old London (No.114)]    1886

    Carbon print    9 x 7 in (ca)

    Eastern Window (Jan van der Wal)    Courtesy of Jan van der Wal (gb16-02)    LL/15022

    Реальный 19 век.

    Henshel (instantaneous Art Portraits, New Studios, 3136 Cottage Grove Ave., Chicago)
    Bust portrait of Emma Myers    1886

    Cabinet card

    Private collection    LL/37580

    The name of the sitter "Emma Myers 1886" is handwritten on the front of the cabinet card.

    Реальный 19 век.

    J.F. Standiford (publisher)

    The great strike and how they did it in Parsons, Kansas.   1886

    Albumen print   10.6 x 20 cm (image) 13.4 x 21.6 cm (mount)

    Yale University, Beinecke Rare Book and Manuscript Library

    Yale Collection of Western Americana, Beinecke Rare Book and Manuscript Library, Call Number: WA Photos 159, Image ID Number: 1051538    LL/38205

    Place of origin - Parsons, Kan.; Muskogee, Creek Nation, Indian Territory [Okla.] :

    Реальный 19 век.

    Josef Maria Eder

    Zwei Goldfische und ein Seefisch (Christiceps argentatus)    1886

    Photogravure print from x-ray negative   19 x 14 cm

    George Eastman House

    Gift of Eastman Kodak Company; ex-collection of Josef Maria Eder   LL/50386

    Реальный 19 век.

    J.C. Schaarwächter

    Josef Kainz as Don Carlos    1886

    Cabinet card   Private collection of T. Max Hochstetler   LL/14251

    Реальный 19 век.

    Karl Meckes

    Zur Erinnerung an meine Dienstzeit   1886

    Albumen print   31 x 44 cm

    AnamorFose   LL/10672

    Josef Kainz as played the role of Don Carlos in the play by Friedrich Schiller at the Deutsches Theater Berlin in 1886. The German magazine Gartenlaube (1886) included an etching that may have been based on another photograph taken during the same session.

    Thanks to Dr. Ulrich Hermanns for this information (pers. email to Alan Griffiths, 10 January 2014).

    Реальный 19 век.

    N.J. Caire

    A prospector's hut, Gippsland, New South Wales, Australia   1886

    Albumen print

    Cambridge University Library, Royal Commonwealth Society

    Cambridge University Library, RCS Y308A/78   LL/40116

    Реальный 19 век.

    Ormsby (Oakland, Cal.)

    California's Tribute to the Nation's Hero, Gen. U.S. Grant. Memorial Day, 1886    1886

    Cabinet card

    Jeffrey Kraus Antique Photographics   LL/37866

    The memorial car traveled from California to NYC

    Реальный 19 век.

    Ormsby (Oakland, Cal.)

    California's Tribute to the Nation's Hero, Gen. U.S. Grant. Memorial Day, 1886    1886

    Cabinet card, back

    Jeffrey Kraus Antique Photographics   LL/37867

    The memorial car traveled from California to NYC

    Реальный 19 век.

    Ottomar Anschütz

    Three Deer, (Mother and 2 fawns)    1886

    Albumen print   3 3/4 x 5 1/2 ins

    Private collection of Richard M. Gadd   LL/32902

    Реальный 19 век.

    Paul Nadar

    The Art of Living a Hundred Years    1886

    Photogravure   5 3/4 x 4 ins

    George Eastman House    LL/33176

    Реальный 19 век.

    Peter Henry Emerson

    The River Bure at Coltishall   1886

    Platinum print   8 3/4 x 11 ins (22.2 x 27.9 cm)

    Swann Galleries - New York    Sale 2257 Lot 16   LL/44316

    Реальный 19 век.

    Peter Henry Emerson

    The Fringe of the Marsh   1886

    Platinum print   7 x 11 1/2 ins (17.8 x 29.2 cm)

    Swann Galleries - New York

    Sale 2257 Lot 17   LL/44317

    Реальный 19 век.

    Peter Henry Emerson

    The First Frost    1886

    Platinum print    20.6 x 28.9 cm (8 1/8 x 11 3/8 ins)

    Princeton University Art Museum

    Museum purchase, gift of David H. McAlpin, Class of 1920, Object Number: x1975-226    LL/44566

    Реальный 19 век.

    Peter Henry Emerson

    A Rushy Shore   [Life and Landscape on the Norfolk Broads]    1886

    Platinum print    19.1 x 28.4 cm (7 1/2 x 11 3/16 in.)

    Museum of Fine Arts, Boston

    Lucy Dalbiac Luard Fund, Accession number: 1977.182    LL/46591

    Реальный 19 век.

    Peter Henry Emerson

    Cattle on the Marshes    [Life and Landscape on the Norfolk Broads, plate XXX]   1886

    Platinum print    19 x 28.8cm (image)

    Van Ham Fine Art Auctions    Van Ham - Photography (June 20, 2012) Lot: 64    LL/48357

    Реальный 19 век.

    Peter Henry Emerson

    Gathering Water Lilies   1886

    Platinum print    7 13/16 x 11 9/16 in

    J. Paul Getty Museum      The J. Paul Getty Trust (84.XO.1268.10)   L/7368

    Реальный 19 век.

    Samuel J. Jarvis

    F.C.C. Lynch   1886

    Albumen silver print    14.1 x 10.4 cm (oval, irregular)

    National Gallery of Canada

    Gift of the Estate of Frank C.C. Lynch, Ottawa, 1967, no. 34992.80    LL/38969

    Реальный 19 век.

    Unidentified photographer

    Tamil children, Sri Lanka   1886

    Albumen print

    Cambridge University Library, Royal Commonwealth Society

    Cambridge University Library, RCS Y303P/19    LL/40110

    Реальный 19 век.

    William Henry Jackson

    Cañon of the Rio Las Animas    1886

    Albumen silver print    53.7 x 42.7 cm (21 1/8 x 16 13/16 in)

    J. Paul Getty Museum

    Object number: 85.XM.5.25    LL/50509

    Реальный 19 век.

    Willoughby Wallace Hooper

    Arrival of the Expedition at Mandalay on the 28th Nov    1886

    Photograph    14.4 x 19.5 cm

    British Library    Shelfmark: Photo 312/(19)   LL/49680

    Реальный 19 век.

    Willoughby Wallace Hooper

    A picture illustrating the height to which the Crops grow round Mandalay    1886

    Photograph   10.2 x 15.2 cm

    British Library   Shelfmark: Photo 312/(46)   LL/49681

    Реальный 19 век.

    Willoughby Wallace Hooper

    Group of Pagodas on the road, near the river, leading from the bottom of B road to the landing-place, [Mandalay]    1886

    Photograph    14.9 x 10.2 cm

    British Library   Shelfmark: Photo 312/(50)    LL/49682

    Реальный 19 век.

    Willoughby Wallace Hooper    A Money Changer at one of the City Gates, [Mandalay]   1886

    Photograph   10.1 x 14.9 cm

    British Library   Shelfmark: Photo 312/(84)   LL/49683

    Реальный 19 век.

    Unidentified photographer/creator

    Six professional criminals   1886

    Book plate

    Google Books   LL/35046

    Published in "Professional Criminals of America" by Thomas Byrnes (New York: Cassell & Company, 1886)

    Реальный 19 век.

    Unidentified photographer/creator

    Six professional criminals    1886

    Book plate

    Google Books    LL/35047

    Published in "Professional Criminals of America" by Thomas Byrnes (New York: Cassell & Company, 1886)

    Реальный 19 век.

    Unidentified photographer/creator

    Edward Lyons, alias Ned Lyons. Burglar, Sneak, and Pickpocket    1886

    Book plate

    Google Books   LL/35048

    Реальный 19 век.

    Unidentified photographer/creator

    Six professional criminals   1886

    Book plate

    Google Books    LL/35049

    Published in "Professional Criminals of America" by Thomas Byrnes (New York: Cassell & Company, 1886)

    Published in "Professional Criminals of America" by Thomas Byrnes (New York: Cassell & Company, 1886), No.70.

    Forty-seven years old in 1886. Born in England. Married. Stout build. Height, about 5 feet 8 inches. Weight, about 180 pounds. Hair inclined to be sandy. Wears it long, covering the ears, one of which (the left one) has the top off. Wears a very heavy reddish mustache. Bald on front of head, forming a high forehead.

    His picture was taken while he was asleep at the hospital in Connecticut, in 1881.

    Реальный 19 век.

    Unidentified photographer/creator

    A critical moment   1886

    Book illustration

    Google Books   LL/39533

    Alexander Black "The Amateur Camera", p.291-301 in Maurice Thompson (ed.) The Boys' Book of Sports and Outdoor Life, (New Yorl: The Century Co., 1886), p.296.

    Реальный 19 век.

    Unidentified artist

    Un Photo-Tricycle   1886

    Magazine illustration

    Private collection of Jan Weijers (Servatius)    LL/47502

    L'Illustration Europienne, 1886 (further details requested.)    Coventry-rotary, Photo-tricycle, M.D. Rudge and Co. (Great Britain)   

    Versions of this illustration were published in:

    Association Belge de Photographie sous le Protectorat du Roi - Bulletin, No.8, 12th year, Volume 12, (2nd series, Vol.2), 1885, p.294

    La Nature: revue des sciences et de leurs applications aux arts et l'industrie (Paris), Volume 13, 1885, p.128.    L'Illustration Europienne, 1886 (further details requested.)

    Реальный 19 век.

    John Ruskin

    Part of the Chapel of St. Mary of the Thorn, PISA, as it was 27 years ago. Now in Ruins.   1886

    Book illustration

    Google Books   LL/35865

    John Ruskin Fors Clavigera: Letters to the Workmen and Labourers of Great Britain, Volume 1, (New York: John Wiley & Sons, 1886), p.265-266. From Letter XX, (Venice, 3rd July, 1872).

    It was some comfort to me, that second of May last, at Pisa, to watch the workman's ashamed face, as he struck the old marble cross to pieces. Stolidly and languidly he dealt the blows, down-looking, so far as in any wise sensitive, ashamed, and well he might be.

    It was a wonderful thing to see done. This Pisan chapel, first built in 1230, then called the Oracle, or Oratory, "Oraculum, vel Oratorium " of the Blessed Mary of the New Bridge, afterwards called the Seabridge, (Ponte-a-Mare,) was a shrine like that of ours on the bridge of Wakefield; a boatman's praying-place: you may still see, or might, ten years since, have seen, the use of such a thing at the mouth of Boulogne Harbour, when the mackerel boats went out in a fleet at early dawn. There used to be a little shrine at the end of the longest pier; and as the Bonne Esperance, or Grace-de-Dieu, or Vierge Marie, or Notre Dame des Dunes, or Reine des Anges, rose on the first surge of the open sea, their crews bared their heads, and prayed for a few seconds. So also the Pisan oarsmen looked back to their shrine, rnany-pinnacled, standing out from the quay above the river, as they dropped down Arno under their sea bridge, bound for the Isles of Greece. Later, in the fifteenth century, "there was laid up in it a little branch of the Crown of Thorns of the Redeemer, which a merchant had brought home, enclosed in a little urn of Beyond-sea" (ultramarine) and its name was changed to "St. Mary's of the Thorn."

    In the year 1840 I first drew it, then as perfect as when it was built. Six hundred and ten years had only given the marble of it a tempered glow, or touched its sculpture here and there, with softer shade. I daguerreotyped the eastern end of it some years later, (photography being then unknown), and copied the daguerreotype, that people might not be plagued in looking, by the lustre. The frontispiece to this letter is engraved from the drawing, and will show you what the building was like.

    But the last quarter of a century has brought changes, and made the Italians wiser. British Protestant missionaries explained to them that they had only got a piece of blackberry stem in their ultramarine box. German philosophical missionaries explained to them that the Crown of Thorns itself was only a graceful metaphor. French republican missionaries explained to them that chapels were inconsistent with liberty on the quay; and their own Engineering missionaries of civilization explained to them that steam-power was independent of the Madonna. And now in 1872, rowing by steam, digging by steam, driving by steam, here, behold, are a troublesome pair of human arms out of employ. So the Engineering missionaries fit them with hammer and chisel, and set them to break up the Spina Chapel.

    A costly kind of stone-breaking, this, for Italian parishes to set paupers on! Are there not rocks enough of Apennine, think you, they could break down instead? For truly, the God of their Fathers, and of their land, would rather see them mar His own work, than His children's,

    Believe me, faithfully yours,

    John Ruskin

    http://www.luminous-lint.com/app/tags/6/1886

    Продолжение...

     

    Александра Римская 29.01.2015 г., 663, Anno Domini. Xikrik to river Novogor

    Список статей Сандры Римской

    http://sandra-rimskaya.livejournal.com/477374.html

    Группа ВК "История

    Категория: Армия Ангелов Карусов | Добавил: Александра (30.01.2015) | Автор: Сандра Римская E W
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