|
Unidentified photographer/creator
An early group photomontage with the "Devil" at the bottom 1860
Photomontage Ordinary Light LL/18100
|
Unidentified photographer/creator
Blake Block, Brattleboro, Vermont 1860
Salted paper print 19.7 x 24.1 cm (7 3/4 x 9 1/4 in)
American Art Museum, Smithsonian Institution
Smithsonian American Art Museum, museum purchase from the Charles Isaacs Collection made possible in part by the Luisita L. and Franz H. Denghausen Endowment LL/7621
|
|
Alexander Hesler
Abraham Lincoln
1860 (taken) 1890s (print)
Albumen print 8 1/2 x 6 3/4 in (21.6 x 17.1 cm)
Swann Galleries - New York
Courtesy of Swann Galleries (Auction Oct 21, 2008, Lot 8) LL/31204
|
Bisson frères
Theatre in Paris 1860
Albumen print, from wet plate negative 29.2 x 38.4 cm
Leonard Joel
Sale LJ5801, Lot 29 LL/52338
|
|
Adolphe Braun
Still Life of a Hunting Scene 1860
Carbon print 30 7/16 x 22 1/8
J. Paul Getty Museum
J. Paul Getty Trust (84.XP.252.1) LL/6767
|
Alfred Capel Cure
South Side Beverley Minster 1860
Albumen print from calotype 21.70 x 26.90 cm (8 1/2 x 10 9/16 ins) (image)
Cleveland Museum of Art
Gift of Russ Anderson, Accession No.: 1991.291 LL/40866
|
|
André Adolphe-Eugène Disdéri
Barbara and Carlotta Marchisio in Semiramis 1860
Carte de visite
Paul Frecker LL/13457
|
André Adolphe-Eugène Disdéri
Eugéne Coralli 1860
Carte de visite
Paul Frecker LL/13470
|
|
André Adolphe-Eugène Disdéri
Disdéri 1860
Carte de visite
Paul Frecker LL/13480
|
André Adolphe-Eugène Disdéri
Prince Napoleon 1860
8.70 x 5.30 cm
National Galleries of Scotland
Courtesy of the National Galleries of Scotland, Presented by Mrs. E. Murray 1991 (PGP 276) LL/7695
|
|
Anthony
#255 the Burning of Cyrus W. Field's Warehouse in New-York 1860
Stereocard, detail
Jefferson Stereoptics
Courtesy of John Saddy (Auction, Tue, Dec 12, 2006 & Thu, Dec 14, 2006, # 06-4, Lot 537) LL/15905
#255 "The Burning of Cyrus W. Field's Warehouse in New-York. Photographers will appreciate the merits of this picture when they are informed that it was taken on a dark day just previous to a heavy snow storm, and with the Thermometer below 20 degrees Fahrenheit. The stream of water projected across the street proceeds from one of the large steam fire engines, whose efficiency was never more fully displayed than on that occasion."
Ivory mount.
|
Camille Silvy
Antonio Giuglini, tenor 1860
Carte de visite
Paul Frecker LL/12759
|
|
Camille Silvy
Marietta Piccolomini, soprano 1860
Carte de visite
Paul Frecker LL/12760
|
Camille Silvy
Giovanni Belleti, baritone 1860
Carte de visite
Paul Frecker LL/12761
|
|
Camille Silvy
Franthois d'Orléans, Prince de Joinville 1860
Carte de visite
Paul Frecker LL/12796
The Prince de Joinville was the third son of King Louis Philippe. His wife was the sister of Don Pedro II of Brazil. Their son was the Duc de PenthiÞvre. Their daughter, Franþoise, married her cousin, Robert, Duc de Chartres. Princesse Marie was their daughter.
|
Camille Silvy
Françoise d'Orléans, Princesse de Joinville 1860
Carte de visite
Paul Frecker LL/12797
|
|
Camille Silvy
Pierre d'Orléans, Duc de Penthiévre 1860
Carte de visite
Paul Frecker LL/12798
|
Camille Silvy
Françoise d'Orléans-Joinville, Duchesse de Chartres 1860
Carte de visite
Paul Frecker LL/12801
|
|
Camille Silvy
Princesse Marie d'Orléans 1860
Carte de visite
Paul Frecker LL/12802
|
Camille Silvy
Duchess of Manchester 1860
Carte de visite
Paul Frecker LL/12805
|
|
Luise von Alten married the 7th Duke of Manchester in 1852. The marriage was not a successful one, and when the Duke died in 1890, after a decent interval his widow became the wife of the 8th Duke of Devonshire, whose mistress she had by then been for some thirty years. She was thereafter known as 'the Double Duchess'.
An occasional visitor to the French imperial court, her great beauty was praised by Princess Metternich in her memoirs. Consuelo, Duchess of Marlborough, who knew - and detested - her later in life, remembered her differently: 'Rumour had her beautiful, but when I knew her she was a raddled old woman, covering her wrinkles with paint; her pate was a brown wig, her mouth was a red gash'.
|
|
Camille Silvy
Duchess of Wellington 1860
Carte de visite
Paul Frecker LL/12806
The Duchess of Wellington was the wife of the second Duke. Born Lady Elizabeth Hay, her parents, the Marquess and Marchioness of Tweeddale, were also visitors to Silvy's studio, as was her sister, Lady Jane Hay. From 1843 to 1858 the Duchess of Wellington was a Lady of the Bedchamber to Queen Victoria, and from 1861 to 1868, Her Majesty's Mistress of the Robes. The Duchess was again Mistress of the Robes from 1874 to 1880.
|
Camille Silvy
Lord Arthur Lennox 1860
Carte de visite
Paul Frecker LL/12808
The social standing of the visitors to Silvy's studio shifted significantly during the time that Silvy was in London. Juliet Hacking's analysis of the rank of the sitters appearing in volume one, which covers the first nine months of 1860, shows 3 dukes, 8 duchesses, 3 marquesses, 8 marchionesses, 3 counts, 23 countesses, 10 viscounts, 8 viscountesses, 32 lords and 110 ladies, out of some 1300 sitters. Volume eight, which covers the summer of 1862, contains only 2 viscounts, 1 viscountess, 2 lords, and 14 ladies, out of 998 entries. In aristocratic and fashionable circles, the carte had definitely had its day. The later volumes show a very different class of sitter than the early volumes do, comprising portraits of the wives of retired army officers, the sons of provincial clergy, the daughters of merchants, various civil servants and members of the bar, and at least one colliery owner.
|
|
Camille Silvy
Lord Dufferin 1860
Carte de visite
Paul Frecker LL/12809
|
Camille Silvy
Lord Castlerosse 1860
Carte de visite
Paul Frecker LL/12810
|
|
Camille Silvy
Lord Galloway and family 1860
Carte de visite
Paul Frecker LL/12812
This portrait of Lord Galloway with some of his children is an unusual size, being approximately fifty per cent larger than a regular carte-de-visite.
|
Camille Silvy
Lady Galloway and family 1860
Carte de visite
Paul Frecker LL/12813
This portrait of Lady Galloway with some of her children is approximately fifty per cent larger than a regular carte-de-visite, Several of the prints pasted in the daybooks are a similar size, and of these, a few show the light source, usually the window seen here on the right, though a skylight is also sometimes visible.
|
|
Camille Silvy
Lord Euston and Lord Newport 1860
Carte de visite
Paul Frecker LL/12815
This portrait of Lord Euston and Lord Newport shows the two men standing at one of the entrances to the Houses of Parliament. Taken sometime during the summer of 1860, there are some fourteen other portraits in volume one of the Silvy daybooks which were taken at the same location, almost all of which portray Members of Parliament. These portraits, most of which have very similar framing, do not appear sequentially in the daybooks. Instead they were entered in short runs, suggesting that at least six separate visits were made to the location.
|
Camille Silvy
Lord Charles Russell 1860
Carte de visite
Paul Frecker LL/12816
This portrait of Lord Charles Russell, the Serjeant-at-Arms to the House of Commons, is a variation of the other portraits that Silvy took at this location, an entrance to the Houses of Parliament, in that it shows the sitter at the opposite edge of the doorway.
|
|
Camille Silvy
Lieutenant General Clark Kennedy 1860
Albumen print from wet collodion-on-glass negatives
Victoria and Albert Museum
Museum Number: E.683-1992 LL/36318
|
Carleton E. Watkins
View from Mount Josephine North 1860
Salt print 13 3/4 x 16 1/8 in
J. Paul Getty Museum
The J. Paul Getty Trust (84.XM.171.15) LL/7336
|
|
Désiré Charnay
The Nunnery, Uxmal 1860
Albumen print from wet collodion negative 40.50 x 27.00 cm (15 15/16 x 10 5/8 ins) (image)
Cleveland Museum of Art
John L. Severance Fund, Accession No.: 1996.241 LL/40886
|
Désiré Charnay
Palace of the Governor, Uxmal, Mexico 1860
Albumen print 43.5 x 33.1 cm (17 1/8 x 13 1/16 in.)
Museum of Fine Arts, Boston
Charles Amos Cummings Fund, Accession number: 2000.660 LL/46624
|
|
Désiré Charnay
The Great Palace at Mitla, interior of the Court 1860
Albumen print
British Library LL/6488
|
Courret Hermanos (Lima, Peru)
La Tapada 1860
Carte de visite
Ordinary Light LL/20634
|
|
Édouard Baldus
Aqueduc de Roquefavour 1860
Salt paper print, from paper negative
Ader Nordmann
Auction: 17 November 2013, Lot: 23 LL/51779
|
Etienne Carjat
Victor Hugo 1860
Albumen print 48.26 x 39.05 cm (19 x 15 3/8 in.)
Museum of Fine Arts, Boston
Lucy Dalbiac Luard Fund, Accession number: 1998.75 LL/46578
|
|
Felice Beato
Interior view of the North Fort of Taku on the Peiho River, near Tientsin (Tianjin), China, following its capture by the English and French armies on August 21st 1860. The battlements and cannons are surrounded by Chinese corpses. 1860
Albumen print
Wellcome Images, Wellcome Library
Wellcome Library, London (V0037622) LL/36767
|
Felice Beato
Interior view of the North Fort of Taku on the Peiho River, near Tientsin (Tianjin), China, following its capture by the English and French armies on August 21st 1860. The battlements and cannons are surrounded by Chinese corpses. 1860
Albumen print
Wellcome Images, Wellcome Library
Wellcome Library, London (V0037624) LL/36768
|
|
Felice Beato
View of the entrance the English used into the North Fort of Taku on the Peiho River, near Tientsin (Tianjin), China, 21st August 1860 1860
Albumen print
Wellcome Images, Wellcome Library
Wellcome Library, London (V0037621) LL/36769
|
Felice Beato
View along the top of the wall from Anting Gate, Beijing, China, after its capture by the English and French armies on 21st October 1860. 1860
Albumen print
Wellcome Images, Wellcome Library
Wellcome Library, London (V0037627) LL/36770
|
|
Felice Beato
Prince Gong Qinwang of China 1860
Albumen print
National Army Museum
Negative No. 37907, Accession No. NAM. 1967-09-83-7 LL/41345
|
Felice Beato
The North Taku Fort, China 1860
Albumen print
National Army Museum
Negative No. 2789, Accession No. NAM. 1962-08-16-8 LL/41349
|
|
Felice Beato
Interior of Taku Fort, China 1860
Albumen print
National Army Museum
Negative No. 2944, Accession No. NAM. 1962-08-16 LL/41350
|
Felice Beato
Summer Palace, Peking 1860
Albumen print
National Army Museum
Negative No. 16651, Accession No. NAM. 1967-09-83-65 LL/41351
|
 |
Felice Beato
Taku Fort, China 1860
Albumen print
National Army Museum
Negative No. 2785, Accession No. NAM. 1962-08-16-13 LL/41355
|
|
Felice Beato
Lieutenant-Colonel Garnet (later Field Marshal Viscount) Wolseley 1860
Albumen print
National Army Museum
Negative No. 2939, Accession No. NAM. 1954-05-14-6 LL/41356
|
Felice Beato
Interior of English Entrance. – Taku 1860
Albumen print 25.5 x 30.5 cm
George Eastman House
1976:0134:0005 LL/57167
|
|
Felice Beato
Sir James Hope Grant 1860
Albumen print 17.00 x 13.10 cm
National Galleries of Scotland
Courtesy of the National Galleries of Scotland (Accession no. PGP 19.1), Purchased 1938 LL/6823
|
Francis Bedford
Mer de Glace 1860
Albumen print 16.50 x 20.70 cm
National Galleries of Scotland
Courtesy of the National Galleries of Scotland (Accession no. PGP R 877), Gift of Mrs. Riddell in memory of Peter Fletcher Riddell 1985 LL/6825
|
|
Franck
Canal St. Martin 1860
Albumen silver print, from glass plate negative 18.6 x 25.2 cm (7 5/16 x 9 15/16 ins) (oval)
Metropolitan Museum of Art
Gilman Collection, Museum Purchase, 2005, Accession Number: 2005.100.380 LL/40401
|
George Washington Wilson
Birnam Falls, Dunkeld 1860
Albumen print 19.0 x 11.50 cm
National Galleries of Scotland
Courtesy of the National Galleries of Scotland, Presented by Mrs J. Notman 1990 (PGP 71.17) LL/7392
|
