АРМИЯ
Карусов
Вторник, 19.03.2024, 09:20


"...Цивилизация гибнет только у тех, кто сам её уничтожил.
И в этом была главная ошибка Карусов.
Они пожалели тех, кто сам уничтожил свои Миры и сам для себя ничего не стал делать, чтобы выжить на своих погибших планетах..."
 
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    Наш опрос
    Должны ли быть сведения об Армии Карусов в учебниках по истории?
    1. Должны. Но надо и далее находить и распространять те факты, которые подтверждают реальную историю.
    2. Должны. Для этого уже достаточно фактов.
    3. Затрудняюсь ответить, так как еще не знаком(а) со статьями Сандры Римской.
    4. Не должны. Фактов существования Армии Карусов пока недостаточно.
    5. Не должны. Ученым, написавшим историю Руси, виднее, каким было наше прошлое.
    Всего ответов: 115

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    Главная » Статьи » Государство » Армия Ангелов Карусов

    Реальный 19 век. Правда быта - Королева всех доказательств. 7. Продолжение 2.

    Реальный 19 век.

    Platt D. Babbitt

    Tourists Viewing Niagara Falls from Prospect Point   1855 / Daguerreotype   10.70 x 13.90 cm

    National Galleries of Scotland

    Courtesy of the National Galleries of Scotland (Accession no. PGP R 14), Gift of Mrs. Riddell in memory of Peter Fletcher Riddell 1985   LL/6821

    Начало...

    Фотографии 1855 года.

    Реальный 19 век.

    Robert Burrows (1810-1883)      Nature morte   1855

    Albumen print   15,7 x 11,7 cm (6 1/8 x 4 5/8 ins)

    Sotheby's – Paris

    Photographies , 29 May 2013, Auction: PF1310, Lot: 49   LL/50898

    Реальный 19 век.

    Roger Fenton

    Algerian Zouaves and French officers   1855

    Albumen print   5.5 x 8.2 in (142 x 207 mm)

    Paul Frecker   LL/12060

    This lightly albuminized print shows Algerian Zouaves and French officers during the Crimean War. A pencilled inscription in an unknown hand on the reverse of the mount reads Tirailleurs algeriens / Crimée 1855.

    Реальный 19 век.

    Roger Fenton

    Railway Sheds and Workshops, Balaklava   1855

    Salt print   8 x 10 in

    Lee Gallery / Courtesy of Lee Gallery (P1413)   LL/14126

    Реальный 19 век.

    Roger Fenton

    Kadikoi from Camp of Horse Artillery   1855

    Salt print   10 x 14 in

    Lee Gallery

    Courtesy of Lee Gallery (P1423)   LL/14127

    Реальный 19 век.

    Roger Fenton

    General Bousquet's Quarters   1855

    Salt print   6 x 10 in

    Lee Gallery

    Courtesy of Lee Gallery (P1434)   LL/14128

    Реальный 19 век.

    Roger Fenton

    Mamelon and Malakoff from the Mortar Battery   1855

    Salt print   9 x 14 in

    Lee Gallery

    Courtesy of Lee Gallery (P1438)

    Реальный 19 век.

    Roger Fenton

    Sebastopol from Cathcart's Hill   1855

    Salt print   9 x 14 in

    Lee Gallery

    Courtesy of Lee Gallery (P1441)  LL/14130

    Реальный 19 век.

    Roger Fenton

    Valley of the Shadow of Death   1855

    Salt print

    Harry Ransom Humanities Research Center at the University of Texas at Austin   LL/23469

    This photograph has been the subject of analysis by the documentary filmmaker Errol Morris.

    Which Came First, the Chicken or the Egg? (Part one) (New York Times, September 25, 2007)

    Which Came First, the Chicken or the Egg? (Part two) (New York Times, October 4, 2007)

    Реальный 19 век.

    Roger Fenton

    Officers of the 89th Regt. at Cathcart's Hill   1855

    Salt print from a wet collodion glass negative   16,3 x 19,7 cm

    Bassenge Photography Auctions

    Courtesy of Bassenge, Berlin (Photography, Sale: 90, Lot: 4052, Dec 5, 2007)   LL/25220

    Flush-mounted to original album page (foxing, some traces of use), title and publisher's letterpress below the image on the mount.

    This print is from one of the original sets of photographs of the Crimean War by Roger Fenton which were published by Thomas Agnew & Sons on a weekly basis from November 1855 - April 1856.

    Реальный 19 век.

    Roger Fenton

    Landing Place, Ordnance Wharf, Balaklava   1855

    Salted paper print from wet collodion on glass negative, Mounted on paper

    Rijksmuseum

    Copyright  Rijksmuseum Amsterdam (RP-F-1995-7)   LL/25784

    Roger Fenton [photographer] & Thomas Agnew & Sons [publisher] & Moulin [publisher] & Williams & Co. [publisher] & P & D. Colnaghi & Co. [publisher]

    View of the landing place and ordnance wharf at Balaklava harbour during the Crimean War.

    Реальный 19 век.

    Roger Fenton

    Maréchal Pélissier   1855

    Salted paper print from wet collodion on glass negative, Mounted on paper

    Rijksmuseum

    Copyright    Rijksmuseum Amsterdam (RP-F-F80055)   LL/25785

    Roger Fenton [photographer] & Thomas Agnew & Sons [publisher] & Moulin [publisher] & Williams & Co. [publisher] & P & D. Colnaghi & Co. [publisher]

    Portrait of Marshall Pélissier, the French commander-in-chief during the Crimean War.

    Реальный 19 век.

    Roger Fenton

    Lieut. Genl. Sir Harry Jones, K.C.B.   1855

    Salted paper print from wet collodion on glass negative, Mounted on paper

    Rijksmuseum

    Copyright   Rijksmuseum Amsterdam (RP-F-F80057)   LL/25786

    Roger Fenton [photographer] & Thomas Agnew & Sons [publisher] & Moulin [publisher] & Williams & Co. [publisher] & P & D. Colnaghi & Co. [publisher]

    Portrait of Lieutenant General Sir Harry Jones, K.C.B. in the Military Camp of the British Army during the Crimean War.

    Реальный 19 век.

    Roger Fenton

    Colonel Doherty, officers and men of the 13th Light Dragoons, British Army, Crimea   1855

    Salted paper print   17 x 22.3 cm

    Creative Commons – Wikipedia

    United States Library of Congress's Prints and Photographs Division under the digital ID cph.3g09230   LL/33102

    Group of men of the 13th Light Dragoons, including Colonel Doherty, Cornet Danzil Chamberlayne, Captain Jenyns, and veterinary-surgeon Thomas Towers, one man seated on ground with dog; tents and huts in the background.

    Реальный 19 век.

    Roger Fenton

    Le maréchal Bosquet (Crimée).1855   1855

    Photographic print  17.4 x 11.8 cm

    Musée Condé

    direction des musées de France,  musée Condé, 1999, Inventory No: PH No 548, Joconde: 00000104426   LL/33775

    Album de la reine Marie-Amélie, No 66

    Реальный 19 век.

    Roger Fenton

    Lt. Gen.l Sir George Brown, G.C.B.   1855

    Salted paper print  17.5 x 13.6 cm

    George Eastman House 

    Record Id: 1981:1234:0005   LL/35650

    Реальный 19 век.

    Roger Fenton

    Cooking house, 8th Hussars  1855

    Salted paper print   16 x 21 cm

    Library of Congress, Prints and Photographs Division   LC-USZC4-9344   LL/36820

    Soldiers standing and sitting around cooking pots as a cook ladels food into a bowl; in the background stands a woman and on the left is the side of Fenton's photographic van.

    Реальный 19 век.

    Roger Fenton

    The Princess Royal and Princess Alice   1855

    Albumen print

    National Media Museum

    The Royal Photographic Society, Ref number: 2003-5001/2/20106   LL/41695

    Реальный 19 век.

    Roger Fenton

    Officers of the 4th Light Dragoons   1855 (taken) 1856 (published)

    Salt paper print   6 7/16 x 6 1/8 ins

    LACMA: Los Angeles County Museum of Art

    Gift of the Sid and Diana Avery Trust (M.91.39.21)   LL/45714

    Реальный 19 век.

    Roger Fenton

    Admiral Lord Lyons, Taken in the Crimea   1855

    Thinly albumenized print, from a collodion wet plate negative   11.8 x 9.6 cm

    Art Institute of Chicago

    Gift of Mrs. Everett Kovler, 1967.312   LL/45842

    Реальный 19 век.

    Roger Fenton

    Archibald Gordon (1812-1886), Principal Medical Officer at the Crimea; Taken at the Crimea   1855

    Thinly albumenized print, from a collodion wet plate negative   18.5 x 16.6 cm

    Art Institute of Chicago

    Gift of Mrs. Everett Kovler, 1967.309   LL/45843

    Реальный 19 век.

    Roger Fenton

    Camp of the 4th Dragoon Guards, convivial party, French & English   1855 (taken)

    Salt print   16.7 x 16.8 cm

    Art Institute of Chicago

    Hugh Edwards Photography Purchase Fund, 1969.452   LL/45844

    Bound in "Photographs Taken in the Crimea," (Published March 25, 1856)

    Реальный 19 век.

    Roger Fenton

    Captain Verschoyle, Grenadier guards (an early photographer), taken at the Crimea   1855

    Thinly albumenized print, from a collodion wet plate negative   17.4 x 12.9 cm

    Art Institute of Chicago

    Gift of Mrs. Everett Kovler, 1967.322   LL/45845

    Реальный 19 век.

    Roger Fenton

    Charles Hind, General   1855

    Thinly albumenized print, from a collodion wet plate negative   11 x 9.5 cm

    Art Institute of Chicago

    Photography Gallery Fund, 1959.611.20   LL/45846

    Реальный 19 век.

    Roger Fenton

    Colonel Simmons, attaché to Omar Pacha, The Crimea   1855

    Thinly albumenized print, from a collodion wet plate negative   27.2 x 22.4 cm

    Art Institute of Chicago

    Gift of Mrs. Everett Kovler, 1967.308   LL/45847

    Реальный 19 век.

    Roger Fenton  

    Group of Croat Chiefs   1855 (taken)

    Salt print   20.1 x 16.6 cm

    Art Institute of Chicago

    Hugh Edwards Photography Purchase Fund, 1969.428   LL/45848

    Bound in "Photographs Taken in the Crimea," 1856.

    Реальный 19 век.

    Roger Fenton

    Hardships in the Camp   1855 (taken)

    Salt print   18.5 x 17 cm

    Art Institute of Chicago

    Hugh Edwards Photography Purchase Fund, 1969.466   LL/45849

    Bound in "Photographs Taken in the Crimea," 1856.

    Реальный 19 век.

    Roger Fenton

    L'Entente Cordiale   1855 (taken)

    Salt print   15.9 x 16.7 cm

    Art Institute of Chicago

    Hugh Edwards Photography Purchase Fund, 1969.448   LL/45850

    Bound in "Photographs Taken in the Crimea," 1856

    Реальный 19 век.

    Roger Fenton

    Lieutenant Colonel Shadforth and Officers of the 57th   1855 (taken)

    Salt print   16.1 x 19.2 cm

    Art Institute of Chicago

    Hugh Edwards Photography Purchase Fund, 1969.472   LL/45851

    Bound in "Photographs Taken in the Crimea," 1856.

    Реальный 19 век.

    Roger Fenton

    Lieutenant General Sir Colin Campbell, G.C.B.   1855

    Salt print   22.1 x 17.8 cm

    Art Institute of Chicago

    Hugh Edwards Photography Purchase Fund, 1969.446   LL/45853

    Bound in "Photographs Taken in the Crimea," 1856.

    Реальный 19 век.

    Roger Fenton

    Lieutenant General Sir de Lacy Evans, G.C.B.   1855

    Salt print   19.7 x 16 cm

    Art Institute of Chicago

    Hugh Edwards Photography Purchase Fund, 1969.437   LL/45854

    Bound in "Photographs Taken in the Crimea," 1856.

    Реальный 19 век.

    Roger Fenton

    Lieutenant General Sir H.J.W. Bentinck, K.C.B.   1855

    Salt print   19.9 x 15.9 cm

    Art Institute of Chicago

    Hugh Edwards Photography Purchase Fund, 1969.461   LL/45855

    Bound in "Photographs Taken in the Crimea," 1856.

    Реальный 19 век.

    Roger Fenton

    Mortar Batteries in front of Picquet House, Light Division   1855

    Salt print   22.6 x 34.8 cm

    Art Institute of Chicago

    Photography Gallery Fund, 1959.611.18   LL/45856

    Реальный 19 век.

    Roger Fenton

    Robert Brownrigg, taken at the Crimea   1855

    Thinly albumenized print, from a collodion wet plate negative   17.2 x 13 cm (rounded top corners)

    Art Institute of Chicago

    Gift of Mrs. Everett Kovler, 1967.324   LL/45857

    Реальный 19 век.

    Roger Fenton

    The Ordnance Wharf, Balaklava   1855

    Salt print   20.8 x 24.8 cm

    Art Institute of Chicago

    Photography Gallery Fund, 1959.611.29    LL/45859

    Published November 19, 1855.

    Реальный 19 век.

    Roger Fenton

    Cossack Bay, Balaklava   1855

    Salted paper print   28.2 x 36 cm

    Art Institute of Chicago

    Photography Gallery Fund, 1959.611.16   LL/45870

    Published January 1, 1856.

    Реальный 19 век.

    Roger Fenton

    Colonel Wood & Major Stuart Wortley on the staff of Sir Richard England   1855

    Salted paper print   14 x 17 cm

    Library of Congress, Prints and Photographs Division

    Reproduction Number: LC-USZC4-9253 (color film copy transparency)   LL/45981

    Officers on the staff of Lieu.t Gen.l Sir Richard England - Colonel Wood [left], Major Stuart Wortley [center] and Colonel the Hon. F. Colborne [right].

    Реальный 19 век.

    Roger Fenton

    Major Gen.l Sir George Buller, K.C.B.   1855 (taken) 1856 (print)

    Salted paper print   16 x 16 cm

    George Eastman House

    Museum Purchase; ex-collection of Alden Scott Boyer   LL/50380

    Реальный 19 век.

    Roger Fenton

    Self-Portrait in Zouave Uniform   1855

    Albumen silver print   17.3 x 15.2 cm (6 13/16 x 6 in)

    J. Paul Getty Museum

    Object number: 84.XM.1028.17   LL/50654

    Реальный 19 век.

    Roger Fenton

    Ismail Pasha & Attendants   1855

    Albumen print   18.4 x 15.6 cm

    Leonard Joel

    Sale LJ5801, Lot 120   LL/52374

    Реальный 19 век.

    Roger Fenton

    Officers on the lookout at Cathcart’s Hill, Crimea   1855

    Salt print

    National Media Museum

    The Royal Photographic Society Collection  National Media Museum, Bradford / SSPL. Creative Commons BY-NC-SA   LL/53600

    Реальный 19 век.

    Roger Fenton

    The Genoese Castle   1855

    Salt print

    National Media Museum

    The Royal Photographic Society Collection  National Media Museum, Bradford / SSPL. Creative Commons BY-NC-SA   LL/53601

    Реальный 19 век.

    Roger Fenton

    The Railway Yard, Balaklava, Crimea   1855

    Salt print

    National Media Museum

    The Royal Photographic Society Collection  National Media Museum, Bradford / SSPL. Creative Commons BY-NC-SA   LL/53602

    Реальный 19 век.

    Roger Fenton

    Captain Graham and Captain MacLeod, 42nd Regiment   1855

    Salted paper print, from collodion negative   7 1/8 × 6 3/8 in (18.1 × 16.2 cm)

    National Gallery of Art   LL/54889

    Реальный 19 век.

    Roger Fenton

    Omar Pacha   1855

    Salted paper print, from collodion glass negative   6 15/16 × 4 7/8 in (17.6 × 12.4 cm)

    National Gallery of Art   LL/54890

    Реальный 19 век.

    Roger Fenton

    Lieutenant General Sir Colin Campbell, G.C.B.   1855

    Salted paper print, from collodion glass negative   8 5/8 × 6 15/16 in (21.9 × 17.6 cm)

    National Gallery of Art   LL/54891

    Реальный 19 век.

    Roger Fenton

    Captain Mottram Andrews, 28th Regiment (1st Staffordshire) Regiment of Foot   1855

    Salt print

    Wilson Center for Photography (WCP)   LL/56737

    Реальный 19 век.

    Roger Fenton

    Plains of Balaklava   1855

    Salted paper print   16.8 x 24.0 cm

    George Eastman House   1981:1238:0001   LL/57164

    Реальный 19 век.

    Roger Fenton

    General Sir George Brown and Staff   [Incidents of Camp Life, Photographed in the Crimea during the Spring and Summer of 1855]   1855

    Salt print   LL/6258

    At the battle of Alma he had a horse shot under him and he was wounded at Inkerman.

    Fenton (Roger) Incidents of Camp Life, Photographed in the Crimea during the Spring and Summer of 1855, mounted on the original thin card sheet with engraved title, credits and publication date.

    Реальный 19 век.

    Roger Fenton

    Valley of the Shadow of Death   1855

    Salt print   10 7/8 x 13 ¾

    J. Paul Getty Museum

    The J. Paul Getty Trust (84.XM.504.23)   LL/7333

    This photograph has been the subject of analysis by the documentary filmmaker Errol Morris.

    Which Came First, the Chicken or the Egg? (Part one) (New York Times, September 25, 2007)

    Which Came First, the Chicken or the Egg? (Part two) (New York Times, October 4, 2007)

    Реальный 19 век.

    Roger Fenton

    The artist's van [The photographic van with Sparling on the box]   1855

    Salt paper print   17.5 x 16.5 cm

    Library of Congress, Prints and Photographs Division

    LC-USZC4-9240 - PH - Fenton (R.), no. 122 (A size) [P&P]   LL/8175

    The Getty Museum (Los Angeles) provides the following caption information:

    ...in coming to a ravine called the valley of death, the sight passed all imagination: round shot and shell lay like a stream at the bottom of the hollow all the way down, you could not walk without treading upon them... (Roger Fenton)

    Fenton's most famous photograph is also one of the most well-known images of war. Across a desolate and featureless landscape, not a single figure can be found. The landscape is inhabited only by cannonballs-so plentiful that they first appear to be rocks-that stand in for the human casualties on the battlefield. The sense of emptiness and unease is heightened by the visual uncertainty created by the changing scale of the road and the sloping sides of the ravine.

    Borrowing from the Twenty-third Psalm of the Bible, the Valley of Death was named by British soldiers who came under constant shelling there. Fenton traveled to the dangerous ravine twice, and on his second visit he made two exposures. Fenton wrote that he had intended to move in closer at the site. But danger forced him to retreat back up the road, where he created this image.

    On a commissioned assignment, Fenton traveled in 1853 to the Crimean peninsula on the Black Sea, where England, France, and Turkey were fighting a war against Russia. To avoid offending Victorian sensibilities, Fenton refrained from photographing the dead and wounded. His more than three hundred images of encampments, battle sites, and portraits of all miltary ranks, became the first extensive photo-documentation of any war. When exhibited in England, Fenton's photographs of the Crimean War established his reputation.

    Реальный 19 век.

    Roger Fenton

    William H. Russell, Esqr., the Times special correspondent   1855

    Salt paper print   20 x 17 cm  /  Library of Congress, Prints and Photographs Division

    LC-USZC4-9183 - PH - Fenton (R.), no. 67 (A size) [P&P]   LL/8176

    Продолжение...

     

    Александра Римская 13.01.2015 г., 663, Anno Domini. Xikrik to river Novogor

    Список статей Сандры Римской

    http://sandra-rimskaya.livejournal.com/444227.html

    Группа ВК "История

    Категория: Армия Ангелов Карусов | Добавил: Александра (14.01.2015) | Автор: Сандра Римская E W
    Просмотров: 2189 | Комментарии: 2 | Теги: королева доказательств, Армия Карусов, история, быт 19 века | Рейтинг: 5.0/2
    Всего комментариев: 2
    1 1546tata  
    2
    НЕТ ЛЕСОВ!!!

    2 saynez  
    0
    Да, все лысое без лесов, нет даже ни одной травинки.
    После глобальной катастрофы.

    Добавлять комментарии могут только зарегистрированные пользователи.
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    Архангел МихаилВойна на НебеОбстрелКак погибла СпартаГеоргий Победоносец

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