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A.J. Johnson (publisher)
China 1865
Map 13 x 16 ins
Creative Commons – Wikipedia
Courtesy of Geographicus Fine Antique Maps LL/46342
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Abdullah frères Portrait of a boy [Joseph S. Greene] 1865
Carte de visite
Private collection of Andrea Cesari LL/29570
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This is A. J. Johnson’s 1865 map of China. Covers the region with particular attention to cities and waterways. China at the time this map was made was mostly closed country, however, a few ports were opened to western trade, these are noted in capital letters and include Tanchau, Kaifung, Waingan, Shanghai, Canton and Nanking (Nanjing) among others. Insets detail the “Island of Amoy” and Canton (Hong Kong). Features the Celtic style border common to Johnson’s atlas work from 1863 to 1869. Steel plate engraving prepared by A. J. Johnson for publication as plate no. 97 in the 1865 edition of his New Illustrated Atlas… This is the first edition of the Johnson’s Atlas to exclusively bear the A. J. Johnson imprint.
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Adolphe Braun
Vue Suisse. Lausanne 1863-1865 (taken) 1871 (print, after)
Albumen print 36 x 47 cm (image) 54.6 x 71.2 cm (mount)
Musée Condé
direction des musées de France, musée Condé, 1999, Inventory No: PH No 56, Joconde: 00000103930 LL/33783
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Adolphe Braun
Vue Suisse, Chillon
1863-1865 (taken) 1871 (print, after)
Albumen print 36.8 x 47.2 cm (image) 54.3 x 71 cm (mount)
Musée Condé
direction des musées de France, musée Condé, 1999, Inventory No: PH No 55, Joconde: 00000103929 LL/33784
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Alexander Gardner
Ruins of Petersburg and Richmond Railroad Bridge, Across the James [Gardner's Photographic Sketch Book of the War. Incidents of the War, pl. 88] 1865
Albumen print 7 x 9 in
Lee Gallery Courtesy of Lee Gallery (Z1400) LL/12697
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Alexander Gardner
No. 1, Arrival on Scaffold [Hanging of the Lincoln conspirators on July 7, 1865] 1865
Albumen print 6 3/4 x 8 3/4 ins (17.2 x 22.2 cm)
Swann Galleries - New York Sale 2325 Lot 18 LL/51381
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Alexander Gardner
No. 2, Reading the Death Warrant [Hanging of the Lincoln conspirators on July 7, 1865] 1865
Albumen print 6 3/4 x 8 3/4 ins (17.2 x 22.2 cm)
Swann Galleries - New York Sale 2325 Lot 18 LL/51382
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Alexander Gardner
No. 3, Adjusting the Ropes [Hanging of the Lincoln conspirators on July 7, 1865] 1865
Albumen print 6 3/4 x 8 3/4 ins (17.2 x 22.2 cm)
Swann Galleries - New York Sale 2325 Lot 18 LL/51383
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Alexander Gardner
No. 4, Thus It Be Ever With Assassins [Hanging of the Lincoln conspirators on July 7, 1865] 1865
Albumen print 6 3/4 x 8 3/4 ins (17.2 x 22.2 cm)
Swann Galleries - New York
Sale 2325 Lot 18 LL/51384
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Alexander Gardner
Man arrested on suspicion of being one of the Lincoln Assassination Conspirators. Name not disclosed. [Identified as Hartmann Richter] 1865
Albumen print, on album page
George Eastman House
Accession Number: 1972:0033:0048 LL/52659
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Alexander Gardner
Man arrested on suspicion of being one of the Lincoln Assassination Conspirators. Name not disclosed. [Identified as Hartmann Richter] 1865
Albumen print, on album page
George Eastman House
Accession Number: 1972:0033:0047 LL/52660
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Alexander Gardner
Man arrested on suspicion of being one of the Lincoln Assassination conspirators. Name not disclosed. [Identified as Joao M. Celestino] 1865
Albumen print, on album page
George Eastman House
Accession Number: 1972:0033: 0045 LL/52661
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Alexander Gardner
Man arrested on suspicion of being one of the Lincoln Assassination conspirators. Name not disclosed. [Identified as Joao M. Celestino] 1865
Albumen print, on album page
George Eastman House
Accession Number: 1972:0033: 0044 LL/52662
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Alexander Gardner
Man arrested on suspicion of being one of the Lincoln Assassination conspirators. Name not disclosed. [Identified as Joao M. Celestino] 1865
Albumen print, on album page
George Eastman House
Accession Number: 1972:0033: 0042 LL/52663
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Alexander Gardner
Edward Spangler 1865
Albumen print, on album page
George Eastman House
Accession Number: 1972:0033: 0038 LL/52664
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Alexander Gardner
Edward Spangler. One of the Lincoln Assassination Conspirators. 1865
Albumen print, on album page
George Eastman House
Accession Number: 1972:0033: 0036 LL/52665
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Alexander Gardner
Lewis Payne 1865
Albumen print, on album page
George Eastman House
Accession Number: 1972:0033: 0034 LL/52666
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Alexander Gardner
Lewis Payne 1865
Albumen print, on album page
George Eastman House
Accession Number: 1972:0033: 0033 LL/52667
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Alexander Gardner
J. Wilkes Booth 1865
Albumen print, on album page
George Eastman House
Accession Number: 1972:0033: 0002 LL/52668
The man at the bottom left is Boston Corbett, who shot and mortally wounded Booth in Southern Virginia, ending his escape.
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Alexander Gardner
Ruins of Gallego Flour Mills, Richmond 1865
Albumen silver print, from glass negative 16.3 x 36.9 cm (6 7/16 x 14 1/2 in)
Metropolitan Museum of ArtCopyright
2000-2005 The Metropolitan Museum of Art. - Harris Brisbane Dick Fund, 1933 (33.65.11) LL/6326
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André Adolphe-Eugène Disdéri
Marie Sax in L'Africaine 1865
Carte de visite
Paul Frecker LL/13456
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Brady's National Photographic Portrait Galleries (New York & Washington DC)
Funeral car of the late beloved President Lincoln (Manuscript title on verso) [Detail] 1865
Carte de visite
Jeffrey Kraus Antique Photographics
Courtesy of Jeffrey Kraus (CWCDV96) LL/10965
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Born Marie Constance Sasse on 26 January 1834, the Belgian soprano made her début at Venice as Gilda in 1852. At the onset of her career she changed her name to Sax, then to Saxe when the instrument maker Adolphe sued her; when he sued again, she reverted to Sasse and was later known as Sass.
In 1859 she sang Eurydice at the ThéÔtre-Lyrique in the historic revival of Gluck's Orphée et Eurydice, in Berlioz's version, with Pauline Viardot-Garcia as Orpheus. Engaged at the Paris-Opéra from 1860 to 1877, she sang Elisabeth in the revised Tannhõuser (1861) and created Sélika in L'Africaine (1865) and Elisabeth de Valois in Don Carlos (1867).
Wagner was pleased with her Elisabeth in Tannhõuser but Verdi, who disliked her attitude to colleagues at rehearsal, was less pleased with her heroine in Don Carlos. When she was recommended for Amneris in Aida, he refused.
Married, briefly, to the bass Armand Castelmary, she retired in 1877. Her memoirs Souvenirs d'une artiste were published in Paris in 1902. She died on 8 November 1907
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Carlo Ponti
Carte de visite of the Pie Seller 1865
Carte de visite, albumen print 90 x 55mm. 3.5 2.25 in
Antiq-Photo
Courtesy of Anthony Davis - Antiq-photo / Rainbow creations (www.19cPhoto.com - 4op50) LL/8593
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Charles Marville
Chateau de St. Germain en Laye 1865
Albumen print 37 x 26,4 cm
Bassenge Photography Auctions
Courtesy of Bassenge, Berlin (Photography, Sale: 90, Lot: 4095, Dec 5, 2007) LL/25242
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Charles Marville
The Impasse de l'Essai at the Horse Market, Paris 1865 (taken) 1871 (after, print)
Albumen silver print 38.7 x 51.9 cm (15 1/4 x 20 7/16 in)
J. Paul Getty Museum
Object number: 84.XM.346.14 LL/50684
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Charles Nègre
Prison of the Iron Mask 1865
Albumen print 6 1/4 x 8 1/2 in (15.9 x 21.6 cm)
Swann Galleries - New York
Courtesy of Swann Galleries (Auction, Feb 7, 2008, #2135, Lot 29) LL/27095
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With the title and date, in ink, and NÞgre's name in the printed decorative border on mount recto.
From the Bert Hartkamp Collection, Amsterdam; to the present owner in 2003.
This photograph depicts the prison where the notorious man with the iron mask was incarcerated. The legends surrounding this mysterious prisoner, including Alexander Dumas''s classic novel, continue to this day in films, poetry, television programs, and theatrical works.
In the 19th century, however, Parisians believed that the masked prisoner was actually the twin brother of King Louis XIV, imprisoned because he was seen as a threat to the throne. His mask was maintained under penalty of death to prevent anyone from knowing his true identity. The question of who his patrimony was also greatly debated, with the possibilities including the Duke of Buckingham, a monk called Fiacre, Louis XIII, and Cardinal Mazarin. Most believed his mother was Queen Anne of Austria, the wife of Louis XIII.
Colorful stories associated with the figure were perpetuated by writers no less than Voltaire, who wrote that the masked man had tried to communicate his true identity to the outside world by writing on a silver plate and throwing it from his prison window to the river running beside the Bastille. Popular myth perpetuated the notion he wore an iron helmut-like mask with a moveable, hinged jaw. Later research revealed that, in fact, the mask was made of black velvet.
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Dmitri Constantine
Bourgeois visitors amidst ruins 1865
Photograph, albumen print (?) LL/57524
The Beauty of Hellas blog - source of original illustration unclear. (Accessed: 8 January 2015)
beautyofhellas.blogspot.ca/2010/03/1839-1900.html
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Eugene Clutterbuck Impey
Pavilions in the Harem Court, Agra 1865
Albumen print 23 x 29 cm (9 x 11.5 ins)
Bernard J. Shapero Rare Books
Stock Number: 75194 LL/45962
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Printed caption reads: These form the principal part of the inner apartments of the palace built by Shah Jehan in the Fort. They are of white marble, and command a splendid view over the river Jumma, with the Taj Mahal in the distance.
Impey (1830-1904) served most of his career in Rajasthan, becoming the Assistant agent to the Governor General in Rajputana in 1856 and the political agent in Alwar in 1858. He published eighty-one photographs in a volume titled Delhi, Agra, and Rajpootana (Cundall, Downes and Co: London, 1865), with notes on the images.
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Eugene Clutterbuck Impey
The Jumma Masjid, from the courtyard, Delhi 1865
Albumen print 23 x 29 cm (9 x 11.5 ins)
Bernard J. Shapero Rare Books
Stock Number: 79303 LL/45963
Printed caption below reads: The courtyard and gateways are of red sandstone, but in the mosque itself marble is frely employed in panelling the facade, covering the domes, and paving the floor. The inscriptions from the Koran on the cornice, and the stripes on the domes, are of black marble.
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Eugene Clutterbuck Impey
View from the Fort, Agra 1865
Albumen print 23 x 29 cm (9 x 11.5 ins)
Bernard J. Shapero Rare Books
Stock Number: 75191 LL/45964
Printed caption below reads: 'This fort, as it now stands, was principally built by Akbar, in the latter part of the sixteenth century, and is of great solidity and above a mile in circumference. It was taken by Lord Lake in 1803. It overlooks the Jumma, the bridge of boats overwhich, as also the railway station, are distinguishable in the plate.
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E. Maunoury
Peruvian Indian Fruit Girl 1865
Carte de visite 87 x 55 mm
Antiq-Photo
Courtesy of Anthony Davis - Antiq-photo / Rainbow creations (www.19cPhoto.com - 4op16) LL/8125
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Francis Frith
The Market Place, Stuttgard 1865
Albumen print 12.2 x 16.2 cm
British Library
Shelfmark: Cup.410.g.107 LL/49695
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Francis Frith
The Devil's Bridge 1865
Albumen print 12.2 x 16.2 cm
British Library
Shelfmark: Cup.410.g.107 LL/49696
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Francis Frith
Weinheim 1865
Albumen print 12.2 x 16.2 cm
British Library
Shelfmark: Cup.410.g.107 LL/49697
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Francis Frith
Meyringen 1865
Albumen print 12.2 x 16.2 cm
British Library
Shelfmark: Cup.410.g.107 LL/49698
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Francis Frith
Nonnenwerth 1865
Albumen print 12.2 x 16.2 cm
British Library
Shelfmark: Cup.410.g.107 LL/49700
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George N. Barnard
Ruins in Columbia, S.C. No. 2 1865
Albumen print 10 x 14 in
Lee Gallery
Image courtesy of the Lee Gallery (www.leegallery.com) LL/3145
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George N. Barnard
The Ponder House, Atlanta 1865
Albumen print 25.5 x 35.8 cm
Princeton University Art Museum
Museum purchase, David Hunter McAlpin, Class of 1920, Fund (x1975-224) LL/44556
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George Washington Wilson
Durham Cathedral, The Galilee 1865
Photographic print 10.8 x 8.2 cm
British Library
Shelfmark: 10370.cc.35, Item number: 12 LL/40183
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Hermann Krone
Portraits of scientists from Dresden 1865
Museum Ludwig / Agfa Photo-Historama LL/7713
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G.W. Wilson, Photographs of English and Scottish Scenery:
"At the western end of the Cathedral, apart from the main building, as may be seen in a previous view, this beautiful and unique structure, called the Galilee, is situated. It was erected by Bishop Pudsey, in 1160, after having failed to erect a lady chapel.
It is composed of five narrow aisles, each fifty feet long, and about sixteen wide, formed by light clustered columns, supporting semi-circular arches, and ornamented with a rich zig-zag moulding. The general effect of the arrangement of this structure is unrivalled in this country.
Near the entrance is the plain monument which covers the remains of the 'Venerable Bede
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Hippolyte-Auguste Collard
Viaduc de la Revoute, Ligne de Roanne A Lyon [Chemin de Fer Du Bourbonnais] 1865
Albumen print 10 x 14.25 ins
Archive Farms LL/55177
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J.E. Larkin (Elmira, New York)
Rebel Prison at Elmira, 1865 [Home Views, No. 15] 1865
Stereo, detail
DeGolyer Library
Robin Stanford Collection LL/50140
View shows a Union prison camp in upstate New York with Confederate prisoners lined up. Comparable to Andersonville, the overcrowded Elmira camp held more than 12,000 prisoners during the war; 25 percent died (2,963) primarily from malnutrition, poor sanitation, and exposure to harsh winters.
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James W. Campbell (New York)
South Battery, looking West. Ruins of 600-Pounder Blakely Gun in foreground, Charleston. [War Views. No. 185] 1865
Stereo, detail
DeGolyer Library
Robin Stanford Collection LL/50148
Two immense Blakely guns were imported from England and brought to South Carolina on a blockade-runner, 1863.
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James Gardner
Meeting of the Shenandoah and Potomac, at Harper's Ferry [Gardner's Photographic Sketch Book of the War. Incidents of the War, pl. 26] 1865
Albumen print 7 x 9 in
Lee Gallery
Courtesy of Lee Gallery (Z1369) LL/13907
"Entered according to act of Congress, in the year 1865, by A. Gardner, in the Clerk's Office of the District Court of the District of Columbia. Incidents of the War. Meeting of the Shenandoah and Potomac, at Harper's Ferry. Published by Philp & Solomon, Washington. Positive by A. Gardner, 511 7th Street, Washington" printed in the margin recto.
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John Reekie
Ruins of Gaines' Mill, Virginia [Gardner's Photographic Sketch Book of the War. Incidents of the War, pl. 93] 1865
Albumen print 17.8 x 22.9 cm (7 x 9 in)
American Art Museum, Smithsonian Institution
Smithsonian American Art Museum, museum purchase from the Charles Isaacs Collection made possible in part by the Luisita L. and Franz H. Denghausen Endowment LL/7605
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J. Duclos
Ponts de Nantes, Sur La Loire 1865
Albumen print
Museum of Photographic Arts
Gift of Stephen White, Accession Number: 2005.024.004 LL/45381
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Knud Knudsen
Muren 1865
Black and white image
University of Bergen Library (Universitetsbiblioteket I Bergen) Knudsensamlingen UBB-KK-M-101 LL/54781
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Pieter Oosterhuis
Nadar's balloon in Amsterdam 1865
Photograph
Private collection of Jan Weijers (Servatius) LL/48991
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Samuel Bourne
The Happy Valley, Gwalior 1865 (taken) 1880s (print)
Albumen print
Private collection of Peter Spangenberg LL/45024
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Samuel Bourne
The Chandney Chouk, The Principle Street in Delhi 1865
Albumen print
Museum of Photographic Arts
Gift of the Catherine and Ralph Benkaim Collection, Accession Number: 2003.019.002 LL/45360
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Samuel Bourne
The Lahore Gate, the Palace, Delhi 1865
Albumen print
Museum of Photographic Arts
Gift of the Catherine and Ralph Benkaim Collection, Accession Number: 2002.028.010
LL/45392
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Thomas C. Roche [Ordnance Wharf, City Point, Virginia] 1865
Albumen silver print, from glass negative 21.7 x 25.5 cm (8 9/16 x 10 1/16 ins)
Metropolitan Museum of Art
Gilman Collection, Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel, 2005, Accession Number: 2005.100.94 LL/40584
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Thomas C. Roche
[Depot Field Hospital, City Point, Virginia] 1865
Albumen silver print, from glass negative 22.1 x 28.8 cm (8 11/16 x 11 5/16 ins)
Metropolitan Museum of Art
Gilman Collection, Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel, 2005, Accession Number: 2005.100.95 LL/40585
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Timothy_H__Osullivan_RESERVED
Quarters of Men in Fort Sedgwick, Known as Fort Hell [Gardner's Photographic Sketch Book of the War. Incidents of the War, pl. 83] 1865
Albumen print 19.4 x 25.4 cm (7 5/8 x 10 in)
American Art Museum, Smithsonian Institution
Smithsonian American Art Museum, museum purchase from the Charles Isaacs Collection made possible in part by the Luisita L. and Franz H. Denghausen Endowment LL/7598
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Unidentified photographer
Bourgeois visitors to the Acropolis 1865
Photograph, albumen print (?) LL/57522
The Beauty of Hellas blog - source of original illustration unclear. (Accessed: 8 January 2015)
beautyofhellas.blogspot.ca/2010/03/1839-1900.html
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Warren De la Rue
Photo-engraving of a Lunar Photograph 1865
Photo-engraving, cropped
Linda Hall Library of Science, Engineering and Technology Identifier: 292001 LL/46489
Royal Astronomical Society of London, Memoirs, Vol. 34, 1864-1865, plate following page 283.
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Lallemand & Hart
France - Alsace / Département du Bas-Rhin. - Commune d'Entzheim / Jeunes filles, costume de fête [Galerie Universelle des Peuples: Alsace, First plate] 1865
Albumen print 4.25 x 3.25 in (11x 8 cm)
Christopher Wahren Fine Photographs
Courtesy of Christopher Wahren Fine Photographs (ia79) LL/13055
On mount with letterpress imprint "Propriété artistique et litteraire. / No. 2. / Collection Lallemand et Hart / FRANCE. - ALSACE. / Département du Bas-Rhin. - Commune d'ENTZHEIM / Jeunes filles, costume de fête."
The publication contains a 23-page description of Alsace's regions followed by 12 illustrative albumen prints of Alsatian types, each mounted on a separate board bearing letterpress title and attribution.
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Lallemand & Hart
France - Alsace / Département du Bas-Rhin. - Strasbourg / Costume des jardinithres [Galerie Universelle des Peuples: Alsace, Second plate] 1865
Albumen print 4.25 x 3.25 in (11x 8 cm)
Christopher Wahren Fine Photographs
Courtesy of Christopher Wahren Fine Photographs (ia79) LL/13056
On mount with letterpress imprint "Propriété artistique et litteraire. / No. 3. / Collection Lallemand et Hart / FRANCE. - ALSACE. / Département du Bas-Rhin. - STRASBOURG / Costume des jardiniÞres."
The publication contains a 23-page description of Alsace's regions followed by 12 illustrative albumen prints of Alsatian types, each mounted on a separate board bearing letterpress title and attribution.
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Lallemand & Hart
France - Alsace / Département du Bas-Rhin. - Commune de Pfulgriesheim / Costume de travail de Kochersberg
[Galerie Universelle des Peuples: Alsace, Third plate] 1865
Albumen print 4.25 x 3.25 in (11x 8 cm)
Christopher Wahren Fine Photographs
Courtesy of Christopher Wahren Fine Photographs (ia79) LL/13057
On mount with letterpress imprint "Propriété artistique et litteraire. / No. 8. / Collection Lallemand et Hart / FRANCE. - ALSACE. / Département du Bas-Rhin. - Commune de Pfulgriesheim / Costume de travail de Kochersberg."
The publication contains a 23-page description of Alsace's regions followed by 12 illustrative albumen prints of Alsatian types, each mounted on a separate board bearing letterpress title and attribution.
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Lallemand & Hart
France - Alsace / Département du Bas-Rhin. - Commune d'Oberseebach / Cavalier sur un cheval de labour [Galerie Universelle des Peuples: Alsace, Twelfth plate] 1865
Albumen print 4.25 x 3.25 in (11x 8 cm)
Christopher Wahren Fine Photographs
Courtesy of Christopher Wahren Fine Photographs (ia79) LL/13065
On mount with letterpress imprint "Propriété artistique et litteraire. / No. 56. / Collection Lallemand et Hart / FRANCE. - ALSACE. / Département du Bas-Rhin. - Commune d'OBERSEEBACH. / Cavalier sur un cheval de labour."
The publication contains a 23-page description of Alsace's regions followed by 12 illustrative albumen prints of Alsatian types, each mounted on a separate board bearing letterpress title and attribution.
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Lallemand & Hart
France - Alsace / Département du Bas-Rhin. - Commune de Schleithal / Intérieur [Galerie Universelle des Peuples: Alsace, Tenth plate] 1865
Albumen print 4.25 x 3.25 in (11x 8 cm)
Christopher Wahren Fine Photographs Courtesy of Christopher Wahren Fine Photographs (ia79) LL/13062
On mount with letterpress imprint "Propriété artistique et litteraire. / No. 51. / Collection Lallemand et Hart / FRANCE. - ALSACE. / Département du Bas-Rhin. - Commune de SCHLEITHAL / Intérieur."
The publication contains a 23-page description of Alsace's regions followed by 12 illustrative albumen prints of Alsatian types, each mounted on a separate board bearing letterpress title and attribution.
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Unidentified photographer/creator
Horizontal Screw Engines of the Steam Yacht Brilliant, by Messrs. Day and Co., Southampton 1865
Engraving
Google Books LL/35257
John Bourne A Catechism of the Steam Engine in its various Applications to Mines, Mills, Steam Navigation and Agriculture; with Practical Instructions for the Manufacture and Management of Engines of Every Class (London: Longman, Green, Longman, Roberts, & Green, 1865), p. fig.58. Messrs. Day & Co.
The screw engine of Messrs. Day & Co. of Southampton is also of the horizontal steeple variety, but in most of the details it is the most judiciously arranged engine I have met with. A representation of Messrs. Day's engine is given in fig. 58, which is engraved from a photograph of the engines of the steam screw yacht Brilliant, of 100 horse power, constructed by Messrs. Day. This vessel is 191 ft. long, 21 ft. broad, and of 419 tons builder's measurement. There are two engines, each with a cylinder 40 in. diameter, and 2 ft. stroke; and with a pressure of steam in the boiler of 20 Ibs., and a vacuum in the condenser of 27 in. of mercury. The engines make 90 revolutions per minute, and exert 510 horse power. Fig. 59 contains two indicator diagrams taken from one of the engines, one diagram being taken from the cylinder on one side of the piston and the other diagram from the other side.
http://www.luminous-lint.com/app/tags/6/1865
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