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Суббота, 10.12.2016, 07:55


"...Цивилизация гибнет только у тех, кто сам её уничтожил.
И в этом была главная ошибка Карусов.
Они пожалели тех, кто сам уничтожил свои Миры и сам для себя ничего не стал делать, чтобы выжить на своих погибших планетах..."
 
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    Реальный 19 век. Правда быта - Королева всех доказательств. 17.

    Реальный 19 век.

    Southwell Brothers

    Hon. Lewis Wingfield as Miss Yellowleaf in a revival of "the Bengal Tiger"   1865

    Carte de visite  /  Paul Frecker   LL/34096

    Начало...

    Фотографии 1865 года.

    Реальный 19 век.

    A.J. Johnson (publisher)

    China   1865

    Map   13 x 16 ins

    Creative Commons – Wikipedia

    Courtesy of Geographicus Fine Antique Maps   LL/46342

    Реальный 19 век.

    Abdullah frères    Portrait of a boy [Joseph S. Greene]    1865

    Carte de visite

    Private collection of Andrea Cesari    LL/29570

    This is A. J. Johnson’s 1865 map of China. Covers the region with particular attention to cities and waterways. China at the time this map was made was mostly closed country, however, a few ports were opened to western trade, these are noted in capital letters and include Tanchau, Kaifung, Waingan, Shanghai, Canton and Nanking (Nanjing) among others. Insets detail the “Island of Amoy” and Canton (Hong Kong). Features the Celtic style border common to Johnson’s atlas work from 1863 to 1869. Steel plate engraving prepared by A. J. Johnson for publication as plate no. 97 in the 1865 edition of his New Illustrated Atlas… This is the first edition of the Johnson’s Atlas to exclusively bear the A. J. Johnson imprint.

    Реальный 19 век.

    Adolphe Braun

    Vue Suisse. Lausanne    1863-1865 (taken) 1871 (print, after)

    Albumen print    36 x 47 cm (image) 54.6 x 71.2 cm (mount)

    Musée Condé

     direction des musées de France,  musée Condé, 1999, Inventory No: PH No 56, Joconde: 00000103930    LL/33783

    Реальный 19 век.

    Adolphe Braun

    Vue Suisse, Chillon

    1863-1865 (taken) 1871 (print, after)

    Albumen print    36.8 x 47.2 cm (image) 54.3 x 71 cm (mount)

    Musée Condé

    direction des musées de France,  musée Condé, 1999, Inventory No: PH No 55, Joconde: 00000103929   LL/33784

    Реальный 19 век.

    Alexander Gardner

    Ruins of Petersburg and Richmond Railroad Bridge, Across the James    [Gardner's Photographic Sketch Book of the War. Incidents of the War, pl. 88]    1865

    Albumen print    7 x 9 in

    Lee Gallery    Courtesy of Lee Gallery (Z1400)    LL/12697

    Реальный 19 век.

    Alexander Gardner

    No. 1, Arrival on Scaffold    [Hanging of the Lincoln conspirators on July 7, 1865]    1865

    Albumen print    6 3/4 x 8 3/4 ins (17.2 x 22.2 cm)

    Swann Galleries - New York    Sale 2325 Lot 18    LL/51381

    Реальный 19 век.

    Alexander Gardner

    No. 2, Reading the Death Warrant    [Hanging of the Lincoln conspirators on July 7, 1865]     1865

    Albumen print    6 3/4 x 8 3/4 ins (17.2 x 22.2 cm)

    Swann Galleries - New York    Sale 2325 Lot 18    LL/51382

    Реальный 19 век.

    Alexander Gardner

    No. 3, Adjusting the Ropes    [Hanging of the Lincoln conspirators on July 7, 1865]    1865

    Albumen print    6 3/4 x 8 3/4 ins (17.2 x 22.2 cm)

    Swann Galleries - New York    Sale 2325 Lot 18    LL/51383

    Реальный 19 век.

    Alexander Gardner

    No. 4, Thus It Be Ever With Assassins    [Hanging of the Lincoln conspirators on July 7, 1865]    1865

    Albumen print    6 3/4 x 8 3/4 ins (17.2 x 22.2 cm)

    Swann Galleries - New York

    Sale 2325 Lot 18    LL/51384

    Реальный 19 век.

    Alexander Gardner

    Man arrested on suspicion of being one of the Lincoln Assassination Conspirators. Name not disclosed. [Identified as Hartmann Richter]    1865

    Albumen print, on album page

    George Eastman House

    Accession Number: 1972:0033:0048    LL/52659

    Реальный 19 век.

    Alexander Gardner

    Man arrested on suspicion of being one of the Lincoln Assassination Conspirators. Name not disclosed. [Identified as Hartmann Richter]    1865

    Albumen print, on album page

    George Eastman House

    Accession Number: 1972:0033:0047   LL/52660

    Реальный 19 век.

    Alexander Gardner

    Man arrested on suspicion of being one of the Lincoln Assassination conspirators. Name not disclosed. [Identified as Joao M. Celestino]   1865

    Albumen print, on album page

    George Eastman House

    Accession Number: 1972:0033: 0045    LL/52661

    Реальный 19 век.

    Alexander Gardner

    Man arrested on suspicion of being one of the Lincoln Assassination conspirators. Name not disclosed. [Identified as Joao M. Celestino]    1865

    Albumen print, on album page

    George Eastman House

    Accession Number: 1972:0033: 0044    LL/52662

    Реальный 19 век.

    Alexander Gardner

    Man arrested on suspicion of being one of the Lincoln Assassination conspirators. Name not disclosed. [Identified as Joao M. Celestino]    1865

    Albumen print, on album page

    George Eastman House

    Accession Number: 1972:0033: 0042   LL/52663

    Реальный 19 век.

    Alexander Gardner

    Edward Spangler    1865

    Albumen print, on album page

    George Eastman House

    Accession Number: 1972:0033: 0038    LL/52664

    Реальный 19 век.

    Alexander Gardner

    Edward Spangler. One of the Lincoln Assassination Conspirators.   1865

    Albumen print, on album page

    George Eastman House

    Accession Number: 1972:0033: 0036    LL/52665

    Реальный 19 век.

    Alexander Gardner

    Lewis Payne    1865

    Albumen print, on album page

    George Eastman House

    Accession Number: 1972:0033: 0034    LL/52666

    Реальный 19 век.

    Alexander Gardner

    Lewis Payne    1865

    Albumen print, on album page

    George Eastman House

    Accession Number: 1972:0033: 0033    LL/52667

    Реальный 19 век.

    Alexander Gardner

    J. Wilkes Booth    1865

    Albumen print, on album page

    George Eastman House

    Accession Number: 1972:0033: 0002    LL/52668

    The man at the bottom left is Boston Corbett, who shot and mortally wounded Booth in Southern Virginia, ending his escape.

    Реальный 19 век.

    Alexander Gardner

    Ruins of Gallego Flour Mills, Richmond    1865

    Albumen silver print, from glass negative    16.3 x 36.9 cm (6 7/16 x 14 1/2 in)

    Metropolitan Museum of ArtCopyright 

    2000-2005 The Metropolitan Museum of Art. - Harris Brisbane Dick Fund, 1933 (33.65.11)    LL/6326

    Реальный 19 век.

    André Adolphe-Eugène Disdéri

    Marie Sax in L'Africaine    1865

    Carte de visite

    Paul Frecker    LL/13456

    Реальный 19 век.

    Brady's National Photographic Portrait Galleries (New York & Washington DC)

    Funeral car of the late beloved President Lincoln (Manuscript title on verso) [Detail]   1865

    Carte de visite

    Jeffrey Kraus Antique Photographics

    Courtesy of Jeffrey Kraus (CWCDV96)    LL/10965

    Born Marie Constance Sasse on 26 January 1834, the Belgian soprano made her début at Venice as Gilda in 1852. At the onset of her career she changed her name to Sax, then to Saxe when the instrument maker Adolphe sued her; when he sued again, she reverted to Sasse and was later known as Sass.

    In 1859 she sang Eurydice at the ThéÔtre-Lyrique in the historic revival of Gluck's Orphée et Eurydice, in Berlioz's version, with Pauline Viardot-Garcia as Orpheus. Engaged at the Paris-Opéra from 1860 to 1877, she sang Elisabeth in the revised Tannhõuser (1861) and created Sélika in L'Africaine (1865) and Elisabeth de Valois in Don Carlos (1867).

    Wagner was pleased with her Elisabeth in Tannhõuser but Verdi, who disliked her attitude to colleagues at rehearsal, was less pleased with her heroine in Don Carlos. When she was recommended for Amneris in Aida, he refused.

    Married, briefly, to the bass Armand Castelmary, she retired in 1877. Her memoirs Souvenirs d'une artiste were published in Paris in 1902. She died on 8 November 1907

    Реальный 19 век.

    Carlo Ponti

    Carte de visite of the Pie Seller    1865

    Carte de visite, albumen print   90 x 55mm. 3.5 2.25 in

    Antiq-Photo

    Courtesy of Anthony Davis - Antiq-photo / Rainbow creations (www.19cPhoto.com - 4op50)    LL/8593

    Реальный 19 век.

    Charles Marville

    Chateau de St. Germain en Laye    1865

    Albumen print    37 x 26,4 cm

    Bassenge Photography Auctions

    Courtesy of Bassenge, Berlin (Photography, Sale: 90, Lot: 4095, Dec 5, 2007)    LL/25242

    Реальный 19 век.

    Charles Marville

    The Impasse de l'Essai at the Horse Market, Paris    1865 (taken) 1871 (after, print)

    Albumen silver print    38.7 x 51.9 cm (15 1/4 x 20 7/16 in)

    J. Paul Getty Museum

    Object number: 84.XM.346.14    LL/50684

    Реальный 19 век.

    Charles Nègre

    Prison of the Iron Mask    1865

    Albumen print    6 1/4 x 8 1/2 in (15.9 x 21.6 cm)

    Swann Galleries - New York

    Courtesy of Swann Galleries (Auction, Feb 7, 2008, #2135, Lot 29)    LL/27095

    With the title and date, in ink, and NÞgre's name in the printed decorative border on mount recto.

    From the Bert Hartkamp Collection, Amsterdam; to the present owner in 2003.

    This photograph depicts the prison where the notorious man with the iron mask was incarcerated. The legends surrounding this mysterious prisoner, including Alexander Dumas''s classic novel, continue to this day in films, poetry, television programs, and theatrical works.

    In the 19th century, however, Parisians believed that the masked prisoner was actually the twin brother of King Louis XIV, imprisoned because he was seen as a threat to the throne. His mask was maintained under penalty of death to prevent anyone from knowing his true identity. The question of who his patrimony was also greatly debated, with the possibilities including the Duke of Buckingham, a monk called Fiacre, Louis XIII, and Cardinal Mazarin. Most believed his mother was Queen Anne of Austria, the wife of Louis XIII.

    Colorful stories associated with the figure were perpetuated by writers no less than Voltaire, who wrote that the masked man had tried to communicate his true identity to the outside world by writing on a silver plate and throwing it from his prison window to the river running beside the Bastille. Popular myth perpetuated the notion he wore an iron helmut-like mask with a moveable, hinged jaw. Later research revealed that, in fact, the mask was made of black velvet.

    Реальный 19 век.

    Dmitri Constantine

    Bourgeois visitors amidst ruins    1865

    Photograph, albumen print (?)   LL/57524

    The Beauty of Hellas blog - source of original illustration unclear. (Accessed: 8 January 2015)
    beautyofhellas.blogspot.ca/2010/03/1839-1900.html

    Реальный 19 век.

    Eugene Clutterbuck Impey

    Pavilions in the Harem Court, Agra   1865

    Albumen print    23 x 29 cm (9 x 11.5 ins)

    Bernard J. Shapero Rare Books

    Stock Number: 75194   LL/45962

     

    Printed caption reads: These form the principal part of the inner apartments of the palace built by Shah Jehan in the Fort. They are of white marble, and command a splendid view over the river Jumma, with the Taj Mahal in the distance.

    Impey (1830-1904) served most of his career in Rajasthan, becoming the Assistant agent to the Governor General in Rajputana in 1856 and the political agent in Alwar in 1858. He published eighty-one photographs in a volume titled Delhi, Agra, and Rajpootana (Cundall, Downes and Co: London, 1865), with notes on the images.

    Реальный 19 век.

    Eugene Clutterbuck Impey

    The Jumma Masjid, from the courtyard, Delhi    1865

    Albumen print    23 x 29 cm (9 x 11.5 ins)

    Bernard J. Shapero Rare Books

    Stock Number: 79303    LL/45963

    Printed caption below reads: The courtyard and gateways are of red sandstone, but in the mosque itself marble is frely employed in panelling the facade, covering the domes, and paving the floor. The inscriptions from the Koran on the cornice, and the stripes on the domes, are of black marble.

    Реальный 19 век.

    Eugene Clutterbuck Impey

    View from the Fort, Agra    1865

    Albumen print    23 x 29 cm (9 x 11.5 ins)

    Bernard J. Shapero Rare Books

    Stock Number: 75191    LL/45964

    Printed caption below reads: 'This fort, as it now stands, was principally built by Akbar, in the latter part of the sixteenth century, and is of great solidity and above a mile in circumference. It was taken by Lord Lake in 1803. It overlooks the Jumma, the bridge of boats overwhich, as also the railway station, are distinguishable in the plate.

    Реальный 19 век.

    E. Maunoury

    Peruvian Indian Fruit Girl    1865

    Carte de visite   87 x 55 mm

    Antiq-Photo

    Courtesy of Anthony Davis - Antiq-photo / Rainbow creations (www.19cPhoto.com - 4op16)    LL/8125

    Реальный 19 век.

    Francis Frith

    The Market Place, Stuttgard    1865

    Albumen print    12.2 x 16.2 cm

    British Library

    Shelfmark: Cup.410.g.107    LL/49695

    Реальный 19 век.

    Francis Frith

    The Devil's Bridge   1865

    Albumen print    12.2 x 16.2 cm

    British Library

    Shelfmark: Cup.410.g.107   LL/49696

    Реальный 19 век.

    Francis Frith

    Weinheim    1865

    Albumen print    12.2 x 16.2 cm

    British Library

    Shelfmark: Cup.410.g.107    LL/49697

    Реальный 19 век.

    Francis Frith

    Meyringen    1865

    Albumen print    12.2 x 16.2 cm

    British Library

    Shelfmark: Cup.410.g.107    LL/49698

    Реальный 19 век.

    Francis Frith

    Nonnenwerth    1865

    Albumen print    12.2 x 16.2 cm

    British Library

    Shelfmark: Cup.410.g.107    LL/49700

    Реальный 19 век.

    George N. Barnard

    Ruins in Columbia, S.C. No. 2    1865

    Albumen print    10 x 14 in

    Lee Gallery

    Image courtesy of the Lee Gallery (www.leegallery.com)    LL/3145

    Реальный 19 век.

    George N. Barnard

    The Ponder House, Atlanta    1865

    Albumen print    25.5 x 35.8 cm

    Princeton University Art Museum

    Museum purchase, David Hunter McAlpin, Class of 1920, Fund (x1975-224)    LL/44556

    Реальный 19 век.

    George Washington Wilson

    Durham Cathedral, The Galilee    1865

    Photographic print    10.8 x 8.2 cm

    British Library

    Shelfmark: 10370.cc.35, Item number: 12    LL/40183

    Реальный 19 век.

    Hermann Krone

    Portraits of scientists from Dresden    1865

    Museum Ludwig / Agfa Photo-Historama    LL/7713

    G.W. Wilson, Photographs of English and Scottish Scenery:

    "At the western end of the Cathedral, apart from the main building, as may be seen in a previous view, this beautiful and unique structure, called the Galilee, is situated. It was erected by Bishop Pudsey, in 1160, after having failed to erect a lady chapel.

    It is composed of five narrow aisles, each fifty feet long, and about sixteen wide, formed by light clustered columns, supporting semi-circular arches, and ornamented with a rich zig-zag moulding. The general effect of the arrangement of this structure is unrivalled in this country.

    Near the entrance is the plain monument which covers the remains of the 'Venerable Bede

    Реальный 19 век.

    Hippolyte-Auguste Collard   

    Viaduc de la Revoute, Ligne de Roanne A Lyon    [Chemin de Fer Du Bourbonnais]    1865

    Albumen print    10 x 14.25 ins

    Archive Farms   LL/55177

    Реальный 19 век.

    J.E. Larkin (Elmira, New York)

    Rebel Prison at Elmira, 1865    [Home Views, No. 15]    1865

    Stereo, detail

    DeGolyer Library

    Robin Stanford Collection    LL/50140

    View shows a Union prison camp in upstate New York with Confederate prisoners lined up. Comparable to Andersonville, the overcrowded Elmira camp held more than 12,000 prisoners during the war; 25 percent died (2,963) primarily from malnutrition, poor sanitation, and exposure to harsh winters.

    Реальный 19 век.

    James W. Campbell (New York)

    South Battery, looking West. Ruins of 600-Pounder Blakely Gun in foreground, Charleston.    [War Views. No. 185]    1865

    Stereo, detail

    DeGolyer Library

    Robin Stanford Collection    LL/50148

    Two immense Blakely guns were imported from England and brought to South Carolina on a blockade-runner, 1863.

    Реальный 19 век.

    James Gardner

    Meeting of the Shenandoah and Potomac, at Harper's Ferry    [Gardner's Photographic Sketch Book of the War. Incidents of the War, pl. 26]   1865

    Albumen print    7 x 9 in

    Lee Gallery

    Courtesy of Lee Gallery (Z1369)    LL/13907

    "Entered according to act of Congress, in the year 1865, by A. Gardner, in the Clerk's Office of the District Court of the District of Columbia. Incidents of the War. Meeting of the Shenandoah and Potomac, at Harper's Ferry. Published by Philp & Solomon, Washington. Positive by A. Gardner, 511 7th Street, Washington" printed in the margin recto.

    Реальный 19 век.

    John Reekie

    Ruins of Gaines' Mill, Virginia    [Gardner's Photographic Sketch Book of the War. Incidents of the War, pl. 93]    1865

    Albumen print    17.8 x 22.9 cm (7 x 9 in)

    American Art Museum, Smithsonian Institution

    Smithsonian American Art Museum, museum purchase from the Charles Isaacs Collection made possible in part by the Luisita L. and Franz H. Denghausen Endowment    LL/7605

    Реальный 19 век.

    J. Duclos

    Ponts de Nantes, Sur La Loire    1865

    Albumen print

    Museum of Photographic Arts

    Gift of Stephen White, Accession Number: 2005.024.004    LL/45381

    Реальный 19 век.

    Knud Knudsen

    Muren    1865

    Black and white image

    University of Bergen Library (Universitetsbiblioteket I Bergen) Knudsensamlingen    UBB-KK-M-101    LL/54781

    Реальный 19 век.

    Pieter Oosterhuis

    Nadar's balloon in Amsterdam    1865

    Photograph

    Private collection of Jan Weijers (Servatius)    LL/48991

    Реальный 19 век.

    Samuel Bourne

    The Happy Valley, Gwalior    1865 (taken) 1880s (print)

    Albumen print

    Private collection of Peter Spangenberg     LL/45024

    Реальный 19 век.

    Samuel Bourne

    The Chandney Chouk, The Principle Street in Delhi    1865

    Albumen print

    Museum of Photographic Arts

    Gift of the Catherine and Ralph Benkaim Collection, Accession Number: 2003.019.002    LL/45360

    Реальный 19 век.

    Samuel Bourne

    The Lahore Gate, the Palace, Delhi    1865

    Albumen print

    Museum of Photographic Arts

    Gift of the Catherine and Ralph Benkaim Collection, Accession Number: 2002.028.010

    LL/45392

    Реальный 19 век.

    Thomas C. Roche    [Ordnance Wharf, City Point, Virginia]   1865

    Albumen silver print, from glass negative   21.7 x 25.5 cm (8 9/16 x 10 1/16 ins)

    Metropolitan Museum of Art

    Gilman Collection, Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel, 2005, Accession Number: 2005.100.94    LL/40584

    Реальный 19 век.

    Thomas C. Roche

    [Depot Field Hospital, City Point, Virginia]    1865

    Albumen silver print, from glass negative    22.1 x 28.8 cm (8 11/16 x 11 5/16 ins)

    Metropolitan Museum of Art

    Gilman Collection, Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel, 2005, Accession Number: 2005.100.95    LL/40585

    Реальный 19 век.

    Timothy_H__Osullivan_RESERVED

    Quarters of Men in Fort Sedgwick, Known as Fort Hell    [Gardner's Photographic Sketch Book of the War. Incidents of the War, pl. 83]    1865

    Albumen print    19.4 x 25.4 cm (7 5/8 x 10 in)

    American Art Museum, Smithsonian Institution

    Smithsonian American Art Museum, museum purchase from the Charles Isaacs Collection made possible in part by the Luisita L. and Franz H. Denghausen Endowment    LL/7598

    Реальный 19 век.

    Unidentified photographer

    Bourgeois visitors to the Acropolis    1865

    Photograph, albumen print (?)    LL/57522

    The Beauty of Hellas blog - source of original illustration unclear. (Accessed: 8 January 2015)

    beautyofhellas.blogspot.ca/2010/03/1839-1900.html

    Реальный 19 век.

    Warren De la Rue

    Photo-engraving of a Lunar Photograph    1865

    Photo-engraving, cropped

    Linda Hall Library of Science, Engineering and Technology    Identifier: 292001    LL/46489

    Royal Astronomical Society of London, Memoirs, Vol. 34, 1864-1865, plate following page 283.

    Реальный 19 век.

    Lallemand & Hart

    France - Alsace / Département du Bas-Rhin. - Commune d'Entzheim / Jeunes filles, costume de fête    [Galerie Universelle des Peuples: Alsace, First plate]    1865

    Albumen print    4.25 x 3.25 in (11x 8 cm)

    Christopher Wahren Fine Photographs

    Courtesy of Christopher Wahren Fine Photographs (ia79)    LL/13055

    On mount with letterpress imprint "Propriété artistique et litteraire. / No. 2. / Collection Lallemand et Hart / FRANCE. - ALSACE. / Département du Bas-Rhin. - Commune d'ENTZHEIM / Jeunes filles, costume de fête."

    The publication contains a 23-page description of Alsace's regions followed by 12 illustrative albumen prints of Alsatian types, each mounted on a separate board bearing letterpress title and attribution.

    Реальный 19 век.

    Lallemand & Hart

    France - Alsace / Département du Bas-Rhin. - Strasbourg / Costume des jardinithres    [Galerie Universelle des Peuples: Alsace, Second plate]    1865

    Albumen print   4.25 x 3.25 in (11x 8 cm)

    Christopher Wahren Fine Photographs

    Courtesy of Christopher Wahren Fine Photographs (ia79)    LL/13056

    On mount with letterpress imprint "Propriété artistique et litteraire. / No. 3. / Collection Lallemand et Hart / FRANCE. - ALSACE. / Département du Bas-Rhin. - STRASBOURG / Costume des jardiniÞres."

    The publication contains a 23-page description of Alsace's regions followed by 12 illustrative albumen prints of Alsatian types, each mounted on a separate board bearing letterpress title and attribution.

    Реальный 19 век.

    Lallemand & Hart

    France - Alsace / Département du Bas-Rhin. - Commune de Pfulgriesheim / Costume de travail de Kochersberg

    [Galerie Universelle des Peuples: Alsace, Third plate]    1865

    Albumen print   4.25 x 3.25 in (11x 8 cm)

    Christopher Wahren Fine Photographs

    Courtesy of Christopher Wahren Fine Photographs (ia79)   LL/13057

    On mount with letterpress imprint "Propriété artistique et litteraire. / No. 8. / Collection Lallemand et Hart / FRANCE. - ALSACE. / Département du Bas-Rhin. - Commune de Pfulgriesheim / Costume de travail de Kochersberg."

    The publication contains a 23-page description of Alsace's regions followed by 12 illustrative albumen prints of Alsatian types, each mounted on a separate board bearing letterpress title and attribution.

    Реальный 19 век.

    Lallemand & Hart

    France - Alsace / Département du Bas-Rhin. - Commune d'Oberseebach / Cavalier sur un cheval de labour    [Galerie Universelle des Peuples: Alsace, Twelfth plate]    1865

    Albumen print    4.25 x 3.25 in (11x 8 cm)

    Christopher Wahren Fine Photographs

    Courtesy of Christopher Wahren Fine Photographs (ia79)    LL/13065

    On mount with letterpress imprint "Propriété artistique et litteraire. / No. 56. / Collection Lallemand et Hart / FRANCE. - ALSACE. / Département du Bas-Rhin. - Commune d'OBERSEEBACH. / Cavalier sur un cheval de labour."

    The publication contains a 23-page description of Alsace's regions followed by 12 illustrative albumen prints of Alsatian types, each mounted on a separate board bearing letterpress title and attribution.

    Реальный 19 век.

    Lallemand & Hart

    France - Alsace / Département du Bas-Rhin. - Commune de Schleithal / Intérieur    [Galerie Universelle des Peuples: Alsace, Tenth plate]    1865

    Albumen print    4.25 x 3.25 in (11x 8 cm)

    Christopher Wahren Fine Photographs    Courtesy of Christopher Wahren Fine Photographs (ia79)   LL/13062

    On mount with letterpress imprint "Propriété artistique et litteraire. / No. 51. / Collection Lallemand et Hart / FRANCE. - ALSACE. / Département du Bas-Rhin. - Commune de SCHLEITHAL / Intérieur."

    The publication contains a 23-page description of Alsace's regions followed by 12 illustrative albumen prints of Alsatian types, each mounted on a separate board bearing letterpress title and attribution.

    Реальный 19 век.

    Unidentified photographer/creator

    Horizontal Screw Engines of the Steam Yacht Brilliant, by Messrs. Day and Co., Southampton    1865

    Engraving

    Google Books    LL/35257

    John Bourne A Catechism of the Steam Engine in its various Applications to Mines, Mills, Steam Navigation and Agriculture; with Practical Instructions for the Manufacture and Management of Engines of Every Class (London: Longman, Green, Longman, Roberts, & Green, 1865), p. fig.58. Messrs. Day & Co.

    The screw engine of Messrs. Day & Co. of Southampton is also of the horizontal steeple variety, but in most of the details it is the most judiciously arranged engine I have met with. A representation of Messrs. Day's engine is given in fig. 58, which is engraved from a photograph of the engines of the steam screw yacht Brilliant, of 100 horse power, constructed by Messrs. Day. This vessel is 191 ft. long, 21 ft. broad, and of 419 tons builder's measurement. There are two engines, each with a cylinder 40 in. diameter, and 2 ft. stroke; and with a pressure of steam in the boiler of 20 Ibs., and a vacuum in the condenser of 27 in. of mercury. The engines make 90 revolutions per minute, and exert 510 horse power. Fig. 59 contains two indicator diagrams taken from one of the engines, one diagram being taken from the cylinder on one side of the piston and the other diagram from the other side.

    http://www.luminous-lint.com/app/tags/6/1865

    Продолжение...

     

    Александра Римская 19.01.2015 г., 663, Anno Domini. Xikrik to river Novogor

    Список статей Сандры Римской

    http://sandra-rimskaya.livejournal.com/455820.html

    Группа ВК "История

    Категория: Армия Ангелов Карусов | Добавил: Александра (20.01.2015) | Автор: Сандра Римская E W
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