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Четверг, 08.12.2016, 21:07


"...Цивилизация гибнет только у тех, кто сам её уничтожил.
И в этом была главная ошибка Карусов.
Они пожалели тех, кто сам уничтожил свои Миры и сам для себя ничего не стал делать, чтобы выжить на своих погибших планетах..."
 
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    Реальный 19 век. Правда быта - Королева всех доказательств. 18.

    Реальный 19 век.

    Mathew Brady's Studio

    [Andersonville Still Life]   1866

    Albumen silver print, from glass negative   22.1 x 18.9 cm (8 11/16 x 7 7/16 ins)  /  Metropolitan Museum of Art

    Gilman Collection, Purchase, Joseph M. Cohen Gift, 2005, Accession Number: 2005.100.98    LL/40537

    Начало...

    Фотографии 1866 года.

    Реальный 19 век.

    Adolphe Terris

    Etude d’elements decoratifs   1866

    Cyanotype

    The Hyman Collection    LL/54706

    Реальный 19 век.

    Andrew Charles Brisbane Neill

    Detail from a temple at Halebidu, Karnataka   1866

    Albumen print    270 x 330 mm

    Bonhams – London

    Courtesy of Bonhams, London (Sale 15313 - India and Beyond in Books and Photography, Lot 305 - 26 Oct 2007)    LL/24114

    Реальный 19 век.

    Andrew Charles Brisbane Neill

    Detail from a temple at Beejanuggur, Karnataka   1866

    Albumen print   260 x 340 mm

    Bonhams – London

    Courtesy of Bonhams, London (Sale 15313 - India and Beyond in Books and Photography, Lot 306 - 26 Oct 2007)    LL/24115

    Реальный 19 век.

    Andrew Charles Brisbane Neill

    Detail from the Channekeshava Temple at Belur, Karnataka    1866

    Albumen print   270 x 330 mm

    Bonhams – London

    Courtesy of Bonhams, London (Sale 15313 - India and Beyond in Books and Photography, Lot 307 - 26 Oct 2007)    LL/24116

    Реальный 19 век.

    Carleton E. Watkins

    Sentinal Rock, 3,100 feet and Sentinal Falls,' 3,270 feet, California     1865-1866 (taken) 1885 (print)

    Albumen print, arch-topped, mammoth plate    20 x 16 in (52 x 41 cm)

    Swann Galleries - New York

    Courtesy of Swann Galleries (Auction Oct 21, 2008, Lot 16)    LL/31208

    On the original mount, with Isiah Taber's credit, the title and inventory number, "801," in the negative.

    Реальный 19 век.

    Émile Gsell

    Vue de Sa´gon (Feuille No. 1) [View of Saigon, Plate No. 1]   1866

    Albumen silver print, from glass negative    24.7 x 34.2 cm (9 3/4 x 13 7/16 ins)

    Metropolitan Museum of Art

    Gilman Collection, Purchase, The Horace W. Goldsmith Gilman Collection, Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel, 2005, Accession Number: 2005.100.501 (26)    LL/40428

    Реальный 19 век.

    Émile Gsell

    Angle d'Une Cour Intérieure de la Grande Pagode [View of the Court Interior of the Grand Pagoda, Angkor]   1866

    Albumen silver print, from glass negative   22.7 x 17.7cm (8 15/16 x 6 15/16in.)

    Metropolitan Museum of Art

    Gilman Collection, Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel, 2005, Accession Number: 2005.100.501 (34)   LL/40454

    Реальный 19 век.

    Émile Gsell

    Costumes de Théâtre, Saigon, Cochinchine [Theater Costumes, Saigon, Cochinchina]   1866

    Albumen silver print, from glass negative    24.4 x 31.1 cm (9 5/8 x 12 1/4 ins)

    Metropolitan Museum of Art

    Gilman Collection, Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel, 2005, Accession Number: 2005.100.501 (1)   LL/40455

    Реальный 19 век.

    Émile Gsell

    Femme Annamite, Saigon, Cochinchine [Annamite Woman, Saigon, Cochinchina]   1866

    Albumen silver print, from glass negative    20 x 16.7 cm (7 7/8 x 6 9/16 ins)

    Metropolitan Museum of Art

    Gilman Collection, Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel, 2005, Accession Number: 2005.100.501 (2)   LL/40456

    Реальный 19 век.

    Felice Beato

    View of Nagasaki Harbour   1866

    Albumen print   25.1 x 30.9 cm

    Bachmann Eckenstein Art & Antiques    LL/6443

    Реальный 19 век.

    G. Gable

    [Summer Scene]    1866

    Albumen silver print, from glass negative   5.7 x 9.2 cm (2 1/4 x 3 5/8 ins)

    Metropolitan Museum of Art

    Gilman Collection, Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel, 2005, Accession Number: 2005.100.277    LL/40462

    Реальный 19 век.

    George K. Warren

    Harvard Botanical Garden    [1866 Hardvard classbook]    1866

    Albumen print

    Private collection of Dan Weinstock   LL/53929

    This is a portion of the Harvard Botanic Garden showing the greenhouses. The laboratory, the herbarium and Asa Gray’s residence are obscured by the trees and out of view to the left of the greenhouses.

    Реальный 19 век.

    George N. Barnard

    The John Ross House, Ringold, GA    1866

    Albumen print    10 x 14 in

    Lee Gallery

    Image courtesy of the Lee Gallery (www.leegallery.com)   LL/3144

    Реальный 19 век.

    George N. Barnard

    The "Hell Hole," New Hope Church, Georgia    1866

    Albumen print    25.7 x 35.9 cm (10 1/8 x 14 1/8 in)

    American Art Museum, Smithsonian Institution

    Smithsonian American Art Museum, museum purchase from the Charles Isaacs Collection made possible in part by the Luisita L. and Franz H. Denghausen Endowment   LL/7548

    Реальный 19 век.

    Henri Sauvaire

    Vue du minaret sud-ouest du Haram (Tombeau des Patriarches), Hébron   1866

    Albumen print, from paper negative    25.2 x 19.4 cm

    Gros & Delettrez

    Books, Manuscripts - Orientalist Photographs, 19 June 2012, Lot: 207   LL/48519

    Реальный 19 век.

    John Thomson

    Interior of the western colonnade of a Temple at Nakhon Thom [Angkor Wat], Cambodia    1866

    Glass plate

    Wellcome Images, Wellcome Library

    Wellcome Library, London (V0036927)   LL/36747

    Bears Thomson's negative number: "466".

    This is one of a collection of original glass negatives made by John Thomson. The negatives, made between 1868 and 1872, were purchased from Thomson by Sir Henry Wellcome in 1921.

    John Thomson, The straits of Malacca, Indo-China and China, London, 1875, p 142, with an extra figure. Judith Balmer, John Thomson, 1993, p xxxi, fig. 9, is also based on this photograph, but the figure is missing, replaced by a tiger

    Реальный 19 век.

    John Thomson

    The Bayon Temple, Angkor Thom   1866

    Albumen print

    British Library    LL/6482

    Реальный 19 век.

    Louis-Emile Durandelle

    Le Nouvel Opera de Paris-Sculpteur Autravail   1866

    Albumen print    14 3/4 x 11

    Lee Gallery   (V1018)    LL/13380

    Title and photographer's name printed on center of mount under print.

    Реальный 19 век.

    Louis-Emile Durandelle

    Ten workers at the new Paris Opera, Paris    1866

    Albumen print from glass negative   39.4 x 27 cm

    CEROS - Jean-Mathieu Martini / Serge Plantureux

    Binoche et Giquello, épreuves choisies, 18 november 2010, lot no: 14   LL/41080

    Studio stamp embossed on mount.

    La défaite de Sedan, la fin de l'Empire, le siÞge de Paris et la commune interrompirent les travaux de construction ainsi que la publication de l'album qui ne parut que 10 ans plus tard. Les épreuves de la Première époque sont trÞs rares.

    Реальный 19 век.

    Michael Miley

    Gen. Robert E. Lee on his horse, Traveller.    1866 (taken) 1880 (print)

    Albumen print    4 3/4 x 7 in (12.1 x 17.8 cm, image) 5 x 8 1/2 in (12.7 x 21.6 cm, mount)

    Swann Galleries - New York

    Courtesy of Swann Galleries (Auction Oct 21, 2008, Lot 11)   LL/31205

    With Miley's credit on mount recto and annotations, in ink, in a period hand, on mount verso.

    The Face of Robert E. Lee, 69.

    This image was one of the most popular depictions of Lee all through the South. In the years after the Civil War, Lee found great comfort in Traveller, who shared his master''s fame. So beloved was Traveller that much of his mane and tail were removed by over-eager souvenir hunters.

    Реальный 19 век.

    Pierre Petit

    View of construction of the Galerie des Machines, Champ de Mars Pavilion, l'Exhibition Universelle, Paris    1866

    Albumen print from glass plate negative    28 x 43 cm (image) 31 x 48 cm (mount)

    Private Collection of Robert G. Hill, Toronto, Ont.  www.hillcollection.com - Acc: 821   LL/30632

    Titled in pencil verso "construction de le Exposition de 1867/Champ de Mars", unsigned, but similar to views by Petit in Album Fol. 108, held at the Bibliotheque historique de la Ville de Paris.

    Реальный 19 век.

    Samuel Bourne

    Mussucks for Crossing the Beas Below Bajoura    1866

    Albumen print   23.20 x 28.70 cm

    National Galleries of Scotland

    Courtesy of the National Galleries of Scotland, Gift of Mrs. Riddell in memory of Peter Fletcher Riddell 1985 (PGP R 879)   LL/7662

    Реальный 19 век.

    Thomas Biggs

    Beejanuggur: Lateral Gateway of a Temple   1866

    Albumen print   270 x 380 mm

    Bonhams – London

    Courtesy of Bonhams, London (Sale 15313 - India and Beyond in Books and Photography, Lot 232 - 26 Oct 2007)   LL/24099

    Mounted, printed caption pasted below.

    Реальный 19 век.

    Thomas Biggs

    Detail of a temple in Karnataka   1866

    Albumen print   270 x 360 mm

    Bonhams – London

    Courtesy of Bonhams, London (Sale 15313 - India and Beyond in Books and Photography, Lot 233 - 26 Oct 2007)   LL/24100

    Реальный 19 век.

    Thomas Biggs

    Mosque of Musaood Khan at Adoni   1866

    Albumen print    280 x 360 mm

    Bonhams – London

    courtesy Bonhams, London (April 9, 2008, #135)    LL/28264

    Albumen print, mounted, printed caption pasted below

    Included in Sale 16200 - "India in Photography: Sale of the Collection of Kanwardip Gujral" at Bonhams in London (April 9, 2008)

    Реальный 19 век.

    Thomas Biggs

    Mosque in the Fort    1866

    Albumen print   270 x 360 mm

    Bonhams – London

    courtesy Bonhams, London (April 9, 2008, #138)   LL/28265

    Albumen print, mounted, printed caption pasted below

    Included in Sale 16200 - "India in Photography: Sale of the Collection of Kanwardi

    p Gujral" at Bonhams in London (April 9, 2008)

    Реальный 19 век.

    Thomas Biggs

    117, The Swamee Narayen's Temple    1866

    Book illustration

    British Library    LL/52512

    Theodore Cracraft Hope, 1866, Architecture at Ahmedabad, the Capital of Goozerat, photographed by Colonel Biggs, ... With an historical and descriptive sketch, by T. C. H., ... and architectural note by J. Fergusson, etc, (London)

    Реальный 19 век.

    Unidentified photographer

    Jerh. Donovan Rossa   [Thomas A. Larcom photographs collection, 1857-1866 [Mountjoy Prison], Volume 2, 1866, Plate 80]    1866

    Album page, detail

    New York Public Library

    Courtesy of The New York Public Library www.nypl.org, Image ID: 1111428    LL/40162

    The two albums originally belonged to Sir Thomas Aiskew Larcom (1801-1879), the permanent Under Secretary for Ireland from 1853 to 1869, which includes the period covered by the albums. Harriet Fyffe Richardson (b.1872), author of Pioneer Quakers (1940), provided the albums to Stanford University at an unknown date; New York Public Library acquired them in 1953.

    The 1866 volume is slightly larger than 10 x 8 inches, and contains rectangular albumen prints, also about 4 x 3 inches, mounted four to a page with individual captions. Laid inside the second volume is a letter from the photographer (whose signature is illegible) to Larcom: "You asked me some months ago to get you the photographs of the convicted and untried political prisoners who have been confined in Mountjoy. // I now send you a most unique 'Book of Beauty' . . . The camera is bad, but I am about to get a better, a really good one."

    Identified as felons and Fenian political prisoners, the subjects of the photographs in these two albums include some of the leaders of the Fenian Brotherhood and its Irish wing, the Irish Republican Brotherhood. One of these, the early activist Jeremiah O'Donovan Rossa (1831-1915), recounted sitting for his portrait:

    After being shaven I was led to have my picture taken. The photographer had a large black-painted pasteboard prepared, with my name across it in white, and, pinning it across my breast, he sat me in position. I remained sitting and looking according to instructions until he had done, and he never had the manners to tell-what artists never fail to tell me-that I made an exceedingly good picture. [O'Donovan Rossa's prison life: six years in six English prisons (1874) p.73]

    Реальный 19 век.

    Unidentified photographer

    Inondation de la Loire en 1866    1866

    Albumen print    24 x 19 cm

    Interencheres – Lyon

    14 January 2014, Tresors de la Photographie, Lot: 467    LL/57353

     

    Реальный 19 век.

    William H. Pigou

    The Great Temple at Halebidu, Karnataka    1866

    Albumen print   270 x 380 mm

    Bonhams – London

    Courtesy of Bonhams, London (Sale 15313 - India and Beyond in Books and Photography, Lot 310 - 26 Oct 2007)    LL/24117

    Реальный 19 век.

    William H. Pigou

    General view of a temple at Halebidu, Karnataka   1866

    Albumen print    270 x 380 mm

    Bonhams – London

    Courtesy of Bonhams, London (Sale 15313 - India and Beyond in Books and Photography, Lot 311 - 26 Oct 2007)    LL/24118

    Реальный 19 век.

    William Notman

    François Gros-Louis, Fur trapper    1866

    Albumen print    12.7 x 8.7 cm

    National Galleries of Scotland

    Acc. No. PGP R 220    LL/56758

    (Curatorial caption, accessed 23 November 2014)
    The Scottish-born photographer, William Notman, built a substantial archive of images recording activities typical to nineteenth-century Canada. This has become an invaluable resource for researchers from all over the world. This image shows François Gros-Louis, an eighty-three-year-old native Canadian guide and hunter who appeared in Notman's scenes of caribou and moose hunting and was also painted trapping beaver.

    Реальный 19 век.

    Carol Szathmari

    Prince Carol I    1866

    Salt print, watercolour    21,5 x 15,2 cm

    Library of the Romanian Academy    LL/34278

    Реальный 19 век.

    David Octavius Hill

    The First General Assembly of the Free Church of Scotland - Signing the Act of Separation and the Deed of Demission at Tanfield, Edinburgh, May 1843.    1866

    Carbon print    26.6 x 60.2 cm (10 1/2 x 23 11/16 ins)

    Metropolitan Museum of Art

    Gift of Robert O. Dougan, 1976, Accession Number: 1976.516    LL/40470

    Copy of painting by David Octavius Hill. The photograph is by Thomas Annan.

    Реальный 19 век.

    A. Moitessier

    Photo-micrographs    1866

    Book plate

    Google Books   LL/36553

    A. Moitessier La Photographie, Appliquée aux Recherches Micrographiques (Paris, J. B. Bailliereet Fils, 1866)

    Реальный 19 век.

    Marcus Aurelius Root

    Root Gallery, Daguerreotype studio    1866

    Albumen print

    Historical Society of Pennsylvania

    Record Number: 1204, Collection: Historical Society of Pennsylvania Penrose Pictorial Philadelphia collection [V60], Cased Photographs Collection [3139]   LL/44540

    Photographer: C. Cohill.

    Address: 5th and Chestnut Streets, Philadelphia, PA USA

    Реальный 19 век.

    Marcus Aurelius Root

    Root Gallery, Daguerreotype studio (detail)   1866

    Albumen print
    Historical Society of Pennsylvania
    Record Number: 1204, Collection: Historical Society of Pennsylvania Penrose Pictorial Philadelphia collection [V60], Cased Photographs Collection [3139]    LL/44541

    Photographer: C. Cohill.

    Address: 5th and Chestnut Streets, Philadelphia, PA USA

    Реальный 19 век.

    Marcus Aurelius Root

    Root Gallery, Daguerreotype studio (detail)    1866

    Albumen print

    Historical Society of Pennsylvania

    Record Number: 1204, Collection: Historical Society of Pennsylvania Penrose Pictorial Philadelphia collection [V60], Cased Photographs Collection [3139]   LL/44542

    Photographer: C. Cohill.

    Address: 5th and Chestnut Streets, Philadelphia, PA USA

    Note the display cases for photographs.

    Реальный 19 век.

    Marcus Aurelius Root

    Root Gallery, Daguerreotype studio (detail)    1866

    Albumen print

    Historical Society of Pennsylvania

    Record Number: 1204, Collection: Historical Society of Pennsylvania Penrose Pictorial Philadelphia collection [V60], Cased Photographs Collection [3139]    LL/44543

    Photographer: C. Cohill.

    Address: 5th and Chestnut Streets, Philadelphia, PA USA

    Note the display cases for photographs.

    Реальный 19 век.

    Marcus Aurelius Root

    Root Gallery, Daguerreotype studio (detail)    1866

    Albumen print

    Historical Society of Pennsylvania

    Record Number: 1204, Collection: Historical Society of Pennsylvania Penrose Pictorial Philadelphia collection [V60], Cased Photographs Collection [3139]   LL/44544

    Photographer: C. Cohill.

    Address: 5th and Chestnut Streets, Philadelphia, PA USA

    Note the photographs displayed in the windows of the gallery.

    Реальный 19 век.

    David Octavius Hill

    The First General Assembly of the Free Church of Scotland - Signing the Act of Separation and the Deed of Demission at Tanfield, Edinburgh, May 1843. [Detail showing David Octavius Hill with camera]    1866

    Carbon print, detail   26.6 x 60.2 cm (10 1/2 x 23 11/16 ins)

    Metropolitan Museum of Art   /   Gift of Robert O. Dougan, 1976, Accession Number: 1976.516   LL/40471

    Copy of painting by David Octavius Hill. The photograph is by Thomas Annan.

    http://www.luminous-lint.com/app/tags/6/1866

     

    Продолжение...

    Александра Римская 16.01.2015 г., 663, Anno Domini. Xikrik to river Novogor

    Список статей Сандры Римской

    http://sandra-rimskaya.livejournal.com/457672.html

    Группа ВК "История

    Категория: Армия Ангелов Карусов | Добавил: Александра (20.01.2015) | Автор: Сандра Римская E W
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